The artcore journal series Installed are posts for the artcore (b)log that include written information provided by the institution, gallery, or artist’s website along with a selection of images taken by an artcore correspondent. The initiative is to provide readers with the photographer’s unique perspective of exhibitions, performances, and/or events in situ. The artcore (b)log is a platform for new series that are posted continuously, in addition to the biannual issues but do not necessarily reflect the current theme. If you are interested in participating as a correspondent for the Installed series on the artcore (b)log please contact us directly for more information.
at the Institute of Contemporary Art/Boston, West Gallery
April 16 – September 2, 2013
From ICA exhibition page: ‘McGee’s gallery-based art explores the contradiction central to his daily life—reconciling graffiti with an artistic practice—but also addresses the question that the avant-garde has historically asked: How might art and life be reconciled? At once humorous, political, and difficult (especially for those who see private property as an inalienable right), his art underscores the complexities of life in early twenty-first-century America, a country in the midst of wars, a financial crisis, unemployment, class stratification, and the ever-cheerful exhortation to keep consuming.’
Gregory Eltringham (b. Hartford, Connecticut, resides in Savannah, Georgia) is currently Professor of Painting at the Savannah College of Art and Design. He travels extensively during the year, conducting research for his studio and teaching practice, and tours in support of his sound-based collaborative projects The Tenderloin Trio and The Tramp Stamps. Eltringham is the artistic director and associate editor of artcore journal.
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