artcore journal

artcore journal

Surrender to Something Dangerous: A Conversation Between Artists Nancy Davidson and Nene Humphrey, June 2013

Over the last few years we’ve shared our mutual interest in performance by exploring works by artists at multiple experimental performance venues around New York City like the Chocolate Factory … Continue reading

July 21, 2013

Martha Rosler: The Body Beautiful by Jovana Stokic

This essay explores Martha Rosler’s crucial engagement with media and consumer focused a critique of representations of female beauty since the late 1960s and early 70s and is published in-part … Continue reading

July 21, 2013 · 1 Comment

Alison Elizabeth Taylor Brings It to the Table by Melissa Messina

Since earning an M.F.A. from Columbia University in 2005, New York-based artist Alison Elizabeth Taylor has developed an idiosyncratic and subversive employment of a long out-dated hobbyist’s technique called marquetry, … Continue reading

July 21, 2013

Sarah Sze’s Random Walk-Drawing: an Encounter With The Hyperreal by Leonie Bradbury

To the famous categories of the real, the symbolic and the imaginary, it is going to be necessary to add the hyperreal, which captures and obstructs the functioning of the … Continue reading

July 21, 2013 · 1 Comment

New York Avenue Sculpture Project: Chakaia Booker by Rana Edgar

Booker is known for her adaptive reuse of discarded industrial materials—rubber tires, wood, metal—to create intricately assembled sculptural works. The New York Avenue Sculpture Project is an outdoor public art … Continue reading

July 21, 2013

William Corwin In Conversation with Lynda Benglis and Susan Richmond, Author of Beyond Process

Lynda Benglis’ exhibition Everything Flows (1980–2013) on view at Philadelphia’s Locks Gallery (May 16–June 29, 2013) presented a wide range of works including classic metalized pleated pieces as well as … Continue reading

July 21, 2013

Hildegard Westerkamp: A Pioneer in Sound Art and Perceptual Appreciation by Sophie Arkette

Events reported by the ear Are soft or loud, not far or near, In what is heard we only sense ­Transition and impermanence: A bark, a laugh, a rifle-shot, These … Continue reading

July 21, 2013