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<urlset xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.sitemaps.org/schemas/sitemap/0.9" xmlns:image="http://www.google.com/schemas/sitemap-image/1.1" xsi:schemaLocation="http://www.sitemaps.org/schemas/sitemap/0.9 http://www.sitemaps.org/schemas/sitemap/0.9/sitemap.xsd"><url><loc>https://artcorejournal.net/2015/10/26/sylvia-and-marcello-in-the-fontana-di-trevi/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/mike-ballou-and-joyce-pensato-1.png</image:loc><image:title>Mike Ballou and Joyce Pensato 1</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/mike-ballou-and-joyce-pensato-2.png</image:loc><image:title>Mike Ballou and Joyce Pensato 2</image:title><image:caption>Will Corwin, Sylvia and Marcello in the Fontana di Trevi, 2015, 6 min. 16 sec.</image:caption></image:image><lastmod>2015-10-26T15:03:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/the-fishermen-catch-a-monster/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/paul-anthony-smith-and-will-fishing1.png</image:loc><image:title>Paul Anthony Smith and Will Fishing1</image:title></image:image><lastmod>2015-10-26T13:07:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/marcello-and-his-father/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/mike-cloud-and-carin1.png</image:loc><image:title>Mike Cloud and Carin1</image:title></image:image><lastmod>2015-10-26T13:07:29+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/the-children-see-the-madonna-2/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/tim-and-xaviera1.png</image:loc><image:title>Tim and Xaviera1</image:title></image:image><lastmod>2015-10-26T13:07:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/the-institute-for-wishful-thinking-2/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/iwt2.png</image:loc><image:title>IWT2</image:title></image:image><lastmod>2015-10-26T13:07:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/the-party-at-the-castle-bassano-di-sutri-2/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/flux-factory-2.png</image:loc><image:title>flux factory 2</image:title></image:image><lastmod>2015-10-26T13:06:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/gallery-aferro-2/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/gallery-afffero-still1.png</image:loc><image:title>gallery afffero still1</image:title><image:caption>Gallery Aferro: In the Choir Loft with Steiner, 2015, Evonne Daris, Emma Wilcox, 13 min. 46 sec.</image:caption></image:image><lastmod>2015-10-26T13:06:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/in-the-helicopter-with-the-statue-of-jesus/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/10/roxy-and-john1.png</image:loc><image:title>roxy and John1</image:title><image:caption>In the Helicopter with the Statue of Jesus, 2015, Roxy Paine and John Kuhner, 13 min. 8 sec.</image:caption></image:image><lastmod>2015-11-08T14:50:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/10/26/editors-letter-2/</loc><lastmod>2015-10-27T13:13:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/about/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web12.jpg</image:loc><image:title>ArtCore-Web(1)</image:title></image:image><lastmod>2015-10-25T23:09:14+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://artcorejournal.net/2014/02/16/editors-letter/</loc><lastmod>2015-10-24T18:41:58+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/01/14/5-dating-categories-with-jessica-walsh-on-40-days-of-dating-with-kayti-doolittle-and-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/walsh_goodman.jpg</image:loc><image:title>Walsh_Goodman</image:title><image:caption>Jessica Walsh and Timothy Goodman</image:caption></image:image><lastmod>2015-10-24T17:51:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2015/01/14/the-paradox-of-perfection-technology-vision-and-the-work-of-bill-viola-by-genevieve-anderson/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/martyrs_water_06_05_24kpcc_6_2.jpg</image:loc><image:title>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:title><image:caption>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/martyrs_fire_05_05_05kpcc_5_2.jpg</image:loc><image:title>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:title><image:caption>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/2-martyrs_air_04_11_00kpcc_3_2.jpg</image:loc><image:title>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:title><image:caption>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/1-martyrs_earth_01_54_00kpcc_1_2.jpg</image:loc><image:title>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:title><image:caption>Bill Viola, Martyrs, 2013. Photos: Nicola Goode</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/buffalo_2.jpg</image:loc><image:title>Bill Viola, I Do Not Know What It Is I Am Like, 1986, Videotape, color, stereo sound; 89 minutes. Photo: Kira Perov</image:title><image:caption>Bill Viola, I Do Not Know What It Is I Am Like, 1986, Videotape, color, stereo sound; 89 minutes. Photo: Kira Perov</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/chick_2.jpg</image:loc><image:title>Bill Viola, I Do Not Know What It Is I Am Like, 1986, Videotape, color, stereo sound; 89 minutes. Photo: Kira Perov</image:title><image:caption>Bill Viola, I Do Not Know What It Is I Am Like, 1986, Videotape, color, stereo sound; 89 minutes. Photo: Kira Perov</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2015/01/owl_2.jpg</image:loc><image:title>Bill Viola, I Do Not Know What It Is I Am Like, 1986, Videotape, color, stereo sound; 89 minutes. Photo: Kira Perov</image:title><image:caption>Bill Viola, I Do Not Know What It Is I Am Like, 1986, Videotape, color, stereo sound; 89 minutes. Photo: Kira Perov</image:caption></image:image><lastmod>2015-10-24T17:50:42+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2014/03/01/performing-representation-documenting-drag-by-susannah-darrow/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/rieger_kitti.jpg</image:loc><image:title>Rieger_Kitti</image:title><image:caption>Sonja Rieger, Kitti Smoking, 2009, archival pigment print on Hahnemühle Photo Rag 308. Image courtesy the artist and beta pictoris gallery.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/riegerdaphnee.png</image:loc><image:title>RiegerDaphnee</image:title><image:caption>Sonja Rieger, Daphnee Raquel Star, 2009, archival pigment print on Hahnemühle Photo Rag 308. Image courtesy the artist and beta pictoris gallery.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/riegerdaroneisha.png</image:loc><image:title>RiegerDaroneisha</image:title><image:caption>Sonja Rieger, Daroneshia D’Nae Starr, 2009, archival pigment print on Hahnemühle Photo Rag 308. Image courtesy the artist and beta pictoris gallery.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/rustitch-workshop.jpg</image:loc><image:title>RuStitch Workshop</image:title><image:caption>RuPaul Cross Stich Animation Workshop at WonderRoot Community Art Center, Atlanta, Georgia. Image courtesy Aubrey Longley-Cook.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/longleycook_rustitch-grid.jpg</image:loc><image:title>LongleyCook_RuStitch-Grid</image:title><image:caption>Aubrey Longley-Cook, RuPaul Cross Stitch Animation Workshop: Frames 1-35 (Front View), 2013, thread on fabric. Image courtesy the artist and Barbara Archer Gallery.
Participating artists include: Ashley Anderson, Paul Bazen, Kimberly Binns, Jess Bernhart, Katherine Bernhart, Rachel Burnstein, Clay Butterworth, Shay Buckley, Kaitlin Commiskey, Olisa Corcoran, Lauren Cunningham, Jared Dawson, Kate Doubler, Sarah Durning, Jane Garver, Maggie Ginestra, Sally Hansell, Brooke Hatfield, Tricia Hersey-Patrick, Andre Keichian, Taryn Kelly, Christina León, Adrienne Lowe, Romy Aura Maloon, Lauren McDonald, Amy Salley, Steve Sauer, Chris Seely, Nathan Sharratt, Nathaniel Smith, Christa Tinsley Spaht, Mike Stasny, Drew Watts and Elizabeth Yates. 
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/longleycook_lavonia_back.png</image:loc><image:title>LongleyCook_Lavonia_Back</image:title><image:caption>Aubrey Longley-Cook, Lavonia Elberton: Frame 3 (Back View), 2013, 7” Diameter Set, Thread on Fabric. Image courtesy the artist and Barbara Archer Gallery.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/longley-cook_lavonia-elberton_front.jpg</image:loc><image:title>Longley Cook_Lavonia Elberton_Front</image:title><image:caption>Aubrey Longley-Cook, Lavonia Elberton: Frames 1-3 (Front View), 2013, 7” Diameter Set, Thread on Fabric. Image courtesy the artist and Barbara Archer Gallery.</image:caption></image:image><lastmod>2015-10-24T17:50:19+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2014/03/01/year-of-dreams-the-first-leg-by-megan-mantia-and-leone-anne-reeves/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/8.jpg</image:loc><image:title>Untitled-3</image:title><image:caption>Megan Mantia and Leone Reeves, Burning Man, Black Rock Desert, Nevada, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/6a.jpg</image:loc><image:title>image 4</image:title><image:caption>Megan Mantia and Leone Reeves, Burning Man, Black Rock Desert, Nevada, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/9.jpg</image:loc><image:title>9</image:title><image:caption>Megan Mantia and Leone Reeves, Burning Man, Black Rock Desert, Nevada, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/7.jpg</image:loc><image:title>Untitled-2</image:title><image:caption>Megan Mantia and Leone Reeves, Burning Man, Black Rock Desert, Nevada, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/6b.jpg</image:loc><image:title>Untitled-1</image:title><image:caption>Megan Mantia and Leone Reeves, Burning Man, Black Rock Desert, Nevada, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/4.jpg</image:loc><image:title>image 3</image:title><image:caption>Megan Mantia and Leone Reeves, The Mermaid Parade, Coney Island, New York, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/5.jpg</image:loc><image:title>Artcore Layout test_4b</image:title><image:caption>Megan Mantia and Leone Reeves, The Mermaid Parade, Coney Island, New York, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/3b.jpg</image:loc><image:title>image 2</image:title><image:caption>Megan Mantia and Leone Reeves, Mardi Gras, New Orleans, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/3a.jpg</image:loc><image:title>image 1</image:title><image:caption>Megan Mantia and Leone Reeves, Mardi Gras, New Orleans, 2013</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/03/2.jpg</image:loc><image:title>2</image:title><image:caption>Megan Mantia and Leone Reeves, Mardi Gras, New Orleans, 2013</image:caption></image:image><lastmod>2015-10-24T17:49:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2014/02/16/review-one-and-two-and-more-than-two-and-the-exhibition-as-extrovert-by-natasha-chaykowski/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/image4.jpg</image:loc><image:title>image4</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/image2.jpg</image:loc><image:title>image2</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/image3.jpg</image:loc><image:title>image3</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/image1.jpg</image:loc><image:title>image1</image:title><image:caption>Micah Lexier, This One, That One, 2013, digital video projection, 07:40 min. Image courtesy the artist and Birch Contemporary.
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/image5.jpg</image:loc><image:title>image5</image:title><image:caption>Self-portrait as a wall divided proportionally between an altered area representing life lived and the remaining area representing life to come, based on statistical life expectancy, 1998, adhesive vinyl. Image courtesy the artist and Birch Contemporary.
</image:caption></image:image><lastmod>2015-10-24T17:49:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2014/02/16/todd-schroeder-notes-from-the-field/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/027_toddschroeder_scan0050.jpg</image:loc><image:title>027_ToddSchroeder_SCAN0050</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/033_toddschroeder_submissionproposalforartcorejournalvol-1-2issue2introvertextrovert.jpg</image:loc><image:title>033_ToddSchroeder_submissionproposalforartcorejournalvol-1.2Issue2IntrovertExtrovert</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/026_toddschroeder_photo.png</image:loc><image:title>026_ToddSchroeder_photo</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/025_toddschroeder_photo-6.png</image:loc><image:title>025_ToddSchroeder_photo (6)</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/007_toddschroeder_scan0026.jpg</image:loc><image:title>007_ToddSchroeder_SCAN0026</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/006_toddschroeder-scan0071.jpg</image:loc><image:title>006_ToddSchroeder SCAN0071</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/004_toddschroeder_scan0017.jpg</image:loc><image:title>004_ToddSchroeder_SCAN0017</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/034_toddschroeder_sud095.jpg</image:loc><image:title>034_ToddSchroeder_sud095</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/032_toddschroeder_scan0052.jpg</image:loc><image:title>032_ToddSchroeder_SCAN0052</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/031_toddschroeder_scan0051.jpg</image:loc><image:title>031_ToddSchroeder_SCAN0051</image:title></image:image><lastmod>2015-10-24T17:49:16+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/03/23/truth-or-dare-with-adam-cvijanovic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/252256-biennale-of-sydney.jpg</image:loc><image:title>252256-biennale-of-sydney</image:title><image:caption>Adam Cvijanovic, Biennale of Sydney, Image from The Daily Telegraph.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/252569-biennale-of-sydney.jpg</image:loc><image:title>252569-biennale-of-sydney</image:title><image:caption>Biennale of Sydney, the Daily Telegraph</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/rolling-panaorama-1_cvijanovic.jpg</image:loc><image:title>Rolling Panaorama 1_Cvijanovic</image:title><image:caption>Adam Cvijanovic, Rolling Panorama Number 1, 2013. Image courtesy of the artist.</image:caption></image:image><lastmod>2014-02-24T22:31:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/new-york-avenue-sculpture-project-chakaia-booker-by-rana-edgar/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/booker_installation-2012_14.jpeg</image:loc><image:title>Booker_Installation 2012_14</image:title><image:caption>Chakaia Booker, Shape Shifter, Rubber tires and stainless steel, 192 x 102 x 78 inches; © Chakaia Booker, courtesy of Marlborough Gallery, New York, Photograph by Lee Stalsworth</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/booker_installation-2012_48.jpeg</image:loc><image:title>Booker_Installation 2012_48</image:title><image:caption>Chakaia Booker, Pass the Buck, Rubber tires and stainless steel, 102 x 96 x 84 inches; © Chakaia Booker, courtesy of Marlborough Gallery, New York; Photograph by Lee Stalsworth</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/booker_installation-2012_17.jpeg</image:loc><image:title>Booker_Installation 2012_17</image:title><image:caption>Chakaia Booker, Gridlock, 2008; Rubber tire and stainless steel, 2 pieces, 100 x 48 x 20 in. each; © Chakaia Booker, courtesy of Marlborough Gallery, New York, Photograph by Lee Stalsworth</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/booker_installation-2012_30.jpeg</image:loc><image:title>Booker_Installation 2012_30</image:title><image:caption>Chakaia Booker, Take Out, 2008, Rubber tires and stainless steel, 130x 88x 36 inches; © Chakaia Booker, courtesy of Marlborough Gallery, New York; Photograph by Lee Stalsworth</image:caption></image:image><lastmod>2014-02-16T17:40:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/academic-to-entertainer-the-changing-role-of-the-curator-by-erinn-roos-brown/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/dsc_9564.jpg</image:loc><image:title>DSC_9564</image:title><image:caption>Institute of Curatorial Practice and Performance, Wesleyan University
Photo by John Groo</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/icpp_dsc5726_table.jpg</image:loc><image:title>icpp_DSC5726_table</image:title><image:caption>Institute of Curatorial Practice and Performance, Wesleyan University
Photo by John Groo</image:caption></image:image><lastmod>2014-02-16T17:39:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/to-selves-joy-episalla-and-susan-silas/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/silasimage6.jpg</image:loc><image:title>the self-portrait sessions_Yaddo session, 2011</image:title><image:caption>Susan Silas, the self-portrait sessions _ Yaddo session, 2011, archival giclée print, 30 x 46 inches. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/silasimage5.jpg</image:loc><image:title>the self-portrait sessions_Yaddo session, 2011</image:title><image:caption>Susan Silas, the self-portrait sessions _Yaddo session, 2011, archival giclée print, 30 x 46 inches. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/joy_episalla-blur3.jpg</image:loc><image:title>Joy_Episalla-blur3</image:title><image:caption>Joy Episalla, blur 3, 2012, archival giclée print, 22 x 22 x 1/2 inches. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/joy_episalla-blur2.jpg</image:loc><image:title>Joy_Episalla-blur2</image:title><image:caption>Joy Episalla, blur 2, 2012, archival giclée print, 22 x 22 x 1/2 inches. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/silasimage4.jpg</image:loc><image:title>the self-portrait sessions_Yaddo session, 2011</image:title><image:caption>Susan Silas, the self-portrait sessions_Yaddo session, 2011, archival giclée print, 30 x 46 inches. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/joy_episalla-blur1.jpg</image:loc><image:title>Joy_Episalla-blur1</image:title><image:caption>Joy Episalla, blur 1, 2012, archival giclée print, 22 x 22 x 1/2 inches. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/silasimage3.jpg</image:loc><image:title>the self-portrait sessions_Yaddo session, 2011</image:title><image:caption>Susan Silas, the self-portrait sessions_Yaddo session, 2011, archival giclée print, 22 x 17 inches each. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/silasimage2.jpg</image:loc><image:title>the self-portrait sessions_Yaddo session, 2011</image:title><image:caption>Susan Silas, the self-portrait sessions_Yaddo session, 2011, archival giclée print, 22 x 17 inches each. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/silasimage1.jpg</image:loc><image:title>the self-portrait sessions_Yaddo session, 2011</image:title><image:caption>Susan Silas, the self-portrait sessions_Yaddo session, 2011, archival giclée print, 22 x 17 inches each.
Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/joy-grid.jpg</image:loc><image:title>JOY grid</image:title><image:caption>Joy Episalla, motion 5,9,21,1,2,8,17,18,6, 2012, archival giclée print, 8 x 8 inches each. Image courtesy of the artist.</image:caption></image:image><lastmod>2014-02-16T17:38:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/alison-elizabeth-taylor-brings-it-to-the-table-by-melissa-messina/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_16_aet-in-studio.jpg</image:loc><image:title>AET_16_AET in Studio</image:title><image:caption>Taylor in her studio
http://annstreetstudio.com/2013/04/17/alison-elizabeth-taylor/
Courtesy of Jamie Beck, New York
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_15_anknes-merye.jpg</image:loc><image:title>AET_15_Anknes-merye</image:title><image:caption>Alison Elizabeth Taylor, Queen Ankhnes-meryre II and Her Son Pepy II, 2013, Wood veneer, shellac, oil paint. Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_14_hunzinger.jpg</image:loc><image:title>AET_14_Hunzinger</image:title><image:caption>Alison Elizabeth Taylor, After Hunzinger, 2013, Wood veneer, shellac, oil paint. Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_13_hiroshige_figure.jpg</image:loc><image:title>AET_13_Hiroshige_Figure</image:title><image:caption>Alison Elizabeth Taylor, After Hiroshige, 2013, Wood veneer, shellac, oil paint. Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_12_assyrian.jpg</image:loc><image:title>AET_12_Assyrian</image:title><image:caption>Alison Elizabeth Taylor, Eagle-Headed Winged Diety, 2013,wood veneer, shellac, oil paint. Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_11_copley.jpg</image:loc><image:title>AET_11_Copley</image:title><image:caption>Alison Elizabeth Taylor, After Copley, 2013, Wood veneer, shellac, oil paint. Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_10_cloud.jpg</image:loc><image:title>AET_10_Cloud</image:title><image:caption>Alison Elizabeth Taylor, Cloud 10, 2012, Wood veneer, oil paint, shellac, 41 7/8 x 30 5/8 inches. Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_9_hiroshigebranch.jpg</image:loc><image:title>AET_9_HiroshigeBranch</image:title><image:caption>Alison Elizabeth Taylor, After Hiroshige, 2013, Wood veneer, shellac, oil paint
Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_8_bougoureaueldersister.jpg</image:loc><image:title>AET_8_BougoureauElderSister</image:title><image:caption>William Bouguereau (French, 1825-1905). The Elder Sister, reduction (La soeur aînée, réduction), ca. 1864. Oil on panel, 21 7/8 x 17 15/16 in. Brooklyn Museum, Bequest of William H. Herriman. Brooklyn Museum photograph, 2010.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/aet_7_bourguereau.jpg</image:loc><image:title>AET_7_Bourguereau</image:title><image:caption>Alison Elizabeth Taylor, After Bouguereau, 2013, Wood veneer, shellac, oil paint
Courtesy of The Artist / Courtesy James Cohan Gallery, New York/Shanghai
</image:caption></image:image><lastmod>2014-02-16T17:38:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/victoria-fu-blurring-lines-between-visual-arts-and-cinema-by-rana-edgar/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/victoria_fu_03.jpg</image:loc><image:title>Victoria_Fu_03</image:title><image:caption>Victoria Fu, Milk of the Eye, 2012, b/w 16mm film projection. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/victoria_fu_02.jpg</image:loc><image:title>Victoria_Fu_02</image:title><image:caption>Victoria Fu, Milk of the Eye, 2012, b/w 16mm film projection. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/photo-1-copy.jpg</image:loc><image:title>photo 1 copy</image:title><image:caption>Victoria Fu, Lorem ipsum I and II, 2013, 16mm film transferred to digital video projection and photographs. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/photo-4.jpg</image:loc><image:title>photo 4</image:title><image:caption>Victoria Fu, Lorem ipsum I and II, 2013, 16mm film transferred to digital video projection and photographs. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/victoria_fu_10.jpg</image:loc><image:title>Victoria_Fu_10</image:title><image:caption>Victoria Fu, in collaboration with Ester Partegas, Three Breaths, 2012, 16mm film projection. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/victoria_fu_01.jpg</image:loc><image:title>Victoria_Fu_01</image:title><image:caption>Victoria Fu, Milk of the Eye, 2012, b/w 16mm film projection. Image courtesy of the artist.</image:caption></image:image><lastmod>2014-02-16T17:37:41+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/ann-marie-manker-by-kayti-doolittle/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/18_groomed_for_the_job.jpg</image:loc><image:title>18_Groomed_For_the_Job</image:title><image:caption>Ann-Marie Manker, Groomed for the Job, 2013, acrylic, graphite, ink, varnish on wood panel, 12 x 16 x 2 inches. Image by Rafterman Photography.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/08_black_hand.jpg</image:loc><image:title>08_Black_Hand</image:title><image:caption>Ann-Marie Manker, Black Hand, 2013, acrylic, graphite, ink, varnish on wood panel, 20 x 16 x 2 inches.
Image by Rafterman Photography</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/05_praying_mantis.jpg</image:loc><image:title>05_Praying_Mantis</image:title><image:caption>Ann-Marie Manker, Praying Mantis, 2013, acrylic, graphite, ink, varnish on wood panel,18 x 24 x 2 inches.
Image by Rafterman Photography</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/06_trophy_2.jpg</image:loc><image:title>06_Trophy_2</image:title><image:caption>Ann-Marie Manker, Trophy 2, 2013, acrylic, graphite, ink, varnish on wood panel, 12 x 16 x 2 inches.
Image by Rafterman Photography</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/16_watering_hole.jpg</image:loc><image:title>16_Watering_Hole</image:title><image:caption>Ann-Marie Manker, Watering Hole, 2013, acrylic, graphite, ink, varnish on wood panel, 12 x 16 x 2 inches. Image by Rafterman Photography</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/1st_room_cropped.jpg</image:loc><image:title>1st_room_cropped</image:title><image:caption>Ann-Marie Manker, Installation View of Under the Rainbow, 2013, Whitespace Gallery. Image by Rafterman Photography</image:caption></image:image><lastmod>2014-02-16T17:37:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/william-corwin-in-conversation-with-lynda-benglis-and-susan-richmond-author-of-beyond-process/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/anagama_5_press.jpg</image:loc><image:title>anagama_5_PRESS</image:title><image:caption>Lynda Benglis, Anagama 5, 1995, glazed ceramic, 20 x 19 x 10 inches.
Image courtesy of Locks Gallery, Philadelphia, PA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/toltec_q_doll_b_press.jpg</image:loc><image:title>toltec_q_doll_b_PRESS</image:title><image:caption>Lynda Benglis, Toltec "Q" Doll 'B', 1993, glazed ceramic, 19 1/2 x 16 x 12 inches. 
Image courtesy of Locks Gallery, Philadelphia, PA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/pink_lady_press-4.jpg</image:loc><image:title>pink_lady_PRESS-4</image:title><image:caption>Lynda Benglis, Pink Lady, 2013, tinted polyurethane fountain, 95 x 30 x 27 inches.
Image courtesy of Locks Gallery, Philadelphia, PA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/pink_lady_press-3.jpg</image:loc><image:title>pink_lady_PRESS-3</image:title><image:caption>Lynda Benglis, Pink Lady, 2013, tinted polyurethane fountain, 95 x 30 x 27 inches.
Image courtesy of Locks Gallery, Philadelphia, PA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/miata_press.jpg</image:loc><image:title>miata_PRESS</image:title><image:caption>Lynda Benglis, Miata, 1986, bronze mesh, nickel and copper, 64 x 36 x 12 inches. 
Image courtesy of Locks Gallery, Philadelphia, PA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/megisti_2_press-3.jpg</image:loc><image:title>megisti_2_PRESS-3</image:title><image:caption>Lynda Benglis, Megisti II, 1984, bronze mesh and aluminum, 77 x 53 x 18 inches. Image courtesy of Locks Gallery, Philadelphia, PA.</image:caption></image:image><lastmod>2014-02-16T17:36:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/surrender-to-something-dangerous-a-conversation-between-artists-nancy-davidson-and-nene-humphrey-june-2013/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/ctc-performance_3-copy.jpg</image:loc><image:title>CTC performance_3 copy</image:title><image:caption>Nene Humphrey, CTC Performance Still Dixon Place 3. 2013, video projection from audience view.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/cct-performance-_6-copy.jpg</image:loc><image:title>CCT Performance _6 copy</image:title><image:caption>Nene Humphrey, CTC Performance Still Dixon Place 6, 2013, performer making Victorian mourning braid, simultaneous video on small projector, layered sound.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/ctc-braiding_2.jpg</image:loc><image:title>CTC braiding_2</image:title><image:caption>Nene Humphrey, Circling the Center: Braiding Studio Still 1, 2013, performer finishing Victorian mourning braid with braids and neuroscience based drawing in background.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/heart-weeps.jpg</image:loc><image:title>Heart Weeps</image:title><image:caption>Nene Humphrey, Heart Weeps: Detail, 2013, spherical Victorian mourning braids made with wire, crystal teardrops, thread, neuroscience based drawing, 18 x 18 x4 inches container.  </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/4-let-er-buck-detail-sm.jpg</image:loc><image:title>4. Let 'er Buck.detail sm</image:title><image:caption>Nancy Davidson, Let ‘er Buck, 2013, detail, vinyl coated nylon, paint, rope, metal, sand, sawdust, blower, 132 x 120 x 120 inches.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/3-let-er-buck-adj.jpg</image:loc><image:title>3. Let 'er Buck.adj</image:title><image:caption>Nancy Davidson, Let ‘er Buck, 2013, vinyl coated nylon, paint, rope, metal, sand, sawdust, blower, 132 x 120 x 120 inches.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/2-jans-last-ride.jpg</image:loc><image:title>2. Jan's Last Ride</image:title><image:caption>Nancy Davidson, Jan’s Last Ride, 2007, video still, DVD, 5:00 min.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/1-dustup-2012.jpg</image:loc><image:title>1.Dustup.2012</image:title><image:caption>Nancy Davidson, Dustup, 2012, vinyl coated nylon, rope, leather, blowers, sawdust, sandbags, 20 x 16 x 16 feet, installation variable.</image:caption></image:image><lastmod>2014-02-16T17:36:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/hildegard-westerkamp-a-pioneer-in-sound-art-and-perceptual-appreciation-by-sophie-arkette/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/img_1441.jpg</image:loc><image:title>IMG_1441</image:title><image:caption>Sound walk Westerkamp led in Kerkyra, Corfu, in 2006. Image by Simona Sarchi (Westerkamp had asked photographer Simona Sarchi to make photos during this walk, concentrating on her listening while making photos - with a 'listening eye').</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/img_14921.jpg</image:loc><image:title>IMG_1492</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/img_1492.jpg</image:loc><image:title>IMG_1492</image:title><image:caption>Sound walk Westerkamp led in Kerkyra, Corfu, in 2006. Image by Simona Sarchi (Westerkamp had asked photographer Simona Sarchi to make photos during this walk, concentrating on her listening while making photos - with a 'listening eye').</image:caption></image:image><lastmod>2014-02-16T17:35:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/martha-rosler-the-body-beautiful-by-jovana-stokic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/hothouseorharem.jpg</image:loc><image:title>HotHouseorHarem</image:title><image:caption>Martha Rosler, Hot House ou Harem, 1966-1972,
dans la série : Beauty Knows No Pain ou Body Beautiful, 1966-1972</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/edelson_somelivingamericanwomenartists.jpg</image:loc><image:title>Edelson_SomeLivingAmericanWomenArtists</image:title><image:caption>Mary Beth Edelson
Some Living American Women Artists / Last Supper
1971. "WACK! Art and the Feminist Revolution" at the Museum of Contemporary Art, Los Angeles</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/wack_catalog.jpg</image:loc><image:title>WACK_Catalog</image:title><image:caption>Martha Rosler's Body Beautiful, Beauty Knows No Pain: Hot House, or Harem (1966-72), on the cover of the catalogue for "WACK! Art and the Feminist Revolution" at the Museum of Contemporary Art, Los Angeles</image:caption></image:image><lastmod>2014-02-16T17:35:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/goodbye-gauley-mountain-an-ecosexual-love-story-beth-stephens-and-annie-sprinkle-marry-a-mountain-by-corinne-van-houten/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/ggm_dannywaskodesign.jpg</image:loc><image:title>ggm_dannywaskodesign</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/mtrhealing_juliancash_designnaomipitcairn.jpg</image:loc><image:title>mtrhealing_juliancash_designnaomipitcairn</image:title><image:caption>Annie Sprinkle and Beth Stephens, Mountain Healing. Photo by Julian Cash. Design by Naomi Pitcairn</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/beth_annieprotest_byjordanfreeman.jpg</image:loc><image:title>beth_annieprotest_byjordanfreeman</image:title><image:caption>Annie Sprinkle and Beth Stephens, Protest march on Blair Mountain. Photo by Jordan Freeman</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/anniebeth-purple-wedding.jpg</image:loc><image:title>Annie&amp;beth purple wedding</image:title><image:caption>Annie Sprinkle and Beth Stephens, Purple Wedding</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/annie-beth-with-snake.jpg</image:loc><image:title>annie &amp; beth with snake</image:title><image:caption>Annie Sprinkle and Beth Stephen, Annie and Beth with Snake</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/annie-beth-sprinkler.jpg</image:loc><image:title>Annie &amp; Beth sprinkler</image:title><image:caption>Beth Watering Annie, Ecosexual Gardens. Photo by Julian Cash</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/mountaintopremovalsit_paulbrown.jpg</image:loc><image:title>MountainTopRemovalSit_PaulBrown</image:title><image:caption>Mountain Top Removal Site. Photo by Paul Corbit Brown</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/annie-beth-1.jpg</image:loc><image:title>annie &amp; beth 1</image:title><image:caption>Annie Sprinkle and Beth Stephens, March on Blair Mountain. Photo by Jordan Freeman.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/signs.jpg</image:loc><image:title>Signs</image:title><image:caption>Annie Sprinkle and Beth Stephens, March on Blair Mountain. Photo by Jordan Freeman.</image:caption></image:image><lastmod>2014-02-16T17:34:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/editors-letter-women/</loc><lastmod>2014-02-16T17:34:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/22/thoughts-on-reverberation-in-the-work-of-jane-fox-hipple-by-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/jane-fox-hipple-epilogue-a-2012-acrylic-on-cotton-and-gypsum-72in-x-48in.jpg</image:loc><image:title>Jane Fox Hipple-Epilogue A-2012-acrylic on cotton and gypsum-72in x 48in</image:title><image:caption>Jane Fox Hipple, Epilogue A, 2012, acrylic on cotton and gypsum, 72 x 48 inches. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/jane-fox-hipple-the-way-of-things21.jpg</image:loc><image:title>Jane-Fox-Hipple-The-Way-of-Things21</image:title><image:caption>Jane Fox Hipple, The Way of Things, installation view at DODGEGallery, New York, 2012.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/jane-fox-hipple-the-way-of-things4.jpg</image:loc><image:title>Jane-Fox-Hipple-The-Way-of-Things4</image:title><image:caption>Jane Fox Hipple, The Way of Things, installation view at DODGEGallery, New York, 2012.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/jane-fox-hipple-the-way-of-things31.jpg</image:loc><image:title>Jane-Fox-Hipple-The-Way-of-Things31</image:title><image:caption>Jane Fox Hipple, The Way of Things, installation view at DODGEGallery, New York, 2012.</image:caption></image:image><lastmod>2014-02-16T17:33:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/21/sarah-szes-random-walk-drawing-an-encounter-with-the-hyperreal-by-leonie-bradbury/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/szeair.jpg</image:loc><image:title>SzeAir</image:title><image:caption>Sarah Sze, Random Walk Drawing (Air), 2011 Mixed media, Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo courtesy of Tom Powel.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/szewindow.jpg</image:loc><image:title>SzeWindow</image:title><image:caption>Sarah Sze, Random Walk Drawing (Window), 2011  Mixed media, Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo courtesy of Tom Powel.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/szewater.jpg</image:loc><image:title>SzeWater</image:title><image:caption>Sarah Sze, Random Walk Drawing (Water), 2011 Mixed media, Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo courtesy of Tom Powel.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/szeeyechart.jpg</image:loc><image:title>SzeEyeChart</image:title><image:caption>Sarah Sze, Random Walk Drawing (Eye Chart), 2011, Mixed media, Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo courtesy of Tom Powel.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/szeinstallation-view.jpg</image:loc><image:title>Szeinstallation view</image:title><image:caption>Sarah Sze, Random Walk Drawing (installation view), 2011, Mixed media, Courtesy of the artist and Tanya Bonakdar Gallery, New York. Photo courtesy of Tom Powel.</image:caption></image:image><lastmod>2014-02-16T17:32:01+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/22/1521/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/victoria_fu_101.jpg</image:loc><image:title>Victoria_Fu_10</image:title><image:caption>Victoria Fu, in collaboration with Ester Partegas, Three Breaths, 2012, 16mm film projection. Image courtesy of the artist.</image:caption></image:image><lastmod>2014-02-16T17:31:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2014/02/01/installed-corrine-jones-tidal-fever/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install18.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install18</image:title><image:caption>Corinne Jones: Tidal Fever, Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install17.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install17</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install16.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install16</image:title><image:caption>Corinne Jones: Tidal Fever, Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install15.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install15</image:title><image:caption>Corinne Jones: Tidal Fever, Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install14.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install14</image:title><image:caption>Corinne Jones: Tidal Fever, Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install13.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install13</image:title><image:caption>Corinne Jones: Tidal Fever, Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install12.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install12</image:title><image:caption>Corinne Jones: Tidal Fever, Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install11.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install11</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install10.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install10</image:title><image:caption>Corinne Jones: Tidal Fever, Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2014/02/corinnejones-jackieklempay-install9.jpg</image:loc><image:title>CorinneJones.JackieKlempay.Install9</image:title></image:image><lastmod>2014-02-01T16:49:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/the-failure-of-aesthetics-in-the-occupy-movement-seen-through-the-lens-of-the-7th-berlin-biennale-by-kate-farrington/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/photo-2.jpg</image:loc><image:title>photo-2</image:title><image:caption>Jonas Staal's "New World Summit" 2012, installation view.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/farrington-bb7-image5.jpg</image:loc><image:title>Farrington BB7 image5</image:title><image:caption>Installation shots of “Global Square” inside 7th Berlin Biennale. Image courtesy of the author.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/farrington-bb7-image3.jpg</image:loc><image:title>Farrington BB7 image3</image:title><image:caption>7th Berlin Biennial press conference, from Occupy BB7 website. http://occupybb7.org/node/121.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/farrington-bb7-image2.jpg</image:loc><image:title>Farrington BB7 image2</image:title><image:caption>Inside entrance to the KW Institute Contemporary Art during the 7th Berlin Biennale and installation shot of “Global Square” encampment. Image courtesy of the author.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/farrington-bb7-image1.jpg</image:loc><image:title>Farrington BB7 image1</image:title><image:caption>Inside entrance to the KW Institute Contemporary Art during the 7th Berlin Biennale and installation shot of “Global Square” encampment. Image courtesy of the artist.</image:caption></image:image><lastmod>2014-01-05T16:33:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/12/16/installed-proximities-2-knowing-me-knowing-you/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3567.jpg</image:loc><image:title>IMG_3567</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3556.jpg</image:loc><image:title>IMG_3556</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3561.jpg</image:loc><image:title>IMG_3561</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3553.jpg</image:loc><image:title>IMG_3553</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3563.jpg</image:loc><image:title>IMG_3563</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3558.jpg</image:loc><image:title>IMG_3558</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3551.jpg</image:loc><image:title>IMG_3551</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3539.jpg</image:loc><image:title>IMG_3539</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3541.jpg</image:loc><image:title>IMG_3541</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/12/img_3537.jpg</image:loc><image:title>IMG_3537</image:title><image:caption>Proximities 2: Knowing Me, Knowing You, installation view, Asian Art Museum</image:caption></image:image><lastmod>2013-12-16T12:56:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/11/20/installed-sean-mcfarland/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3486.jpg</image:loc><image:title>IMG_3486</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3485.jpg</image:loc><image:title>IMG_3485</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3484.jpg</image:loc><image:title>IMG_3484</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3482.jpg</image:loc><image:title>IMG_3482</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3480.jpg</image:loc><image:title>IMG_3480</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3478.jpg</image:loc><image:title>IMG_3478</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3477.jpg</image:loc><image:title>IMG_3477</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3476.jpg</image:loc><image:title>IMG_3476</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3475.jpg</image:loc><image:title>IMG_3475</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/img_3474.jpg</image:loc><image:title>IMG_3474</image:title><image:caption>Sean McMarland: Glass Mountains, installation view, Stephen Wirtz Gallery, San Francisco.</image:caption></image:image><lastmod>2013-11-20T14:07:27+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/11/19/installed-i-as-a-shadow-smiles-frank-haines-christopher-garrett-reuben-lorch-miller-robbie-mcdonald-at-jackie-klempay/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_robbiemcdonald3.jpg</image:loc><image:title>Klempay_RobbieMcDonald3</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_robbiemcdonald2.jpg</image:loc><image:title>Klempay_RobbieMcDonald2</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_robbiemcdonald.jpg</image:loc><image:title>Klempay_RobbieMcDonald</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_reubenlorchmiller.jpg</image:loc><image:title>Klempay_ReubenLorchMiller</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_frankhaines.jpg</image:loc><image:title>Klempay_FrankHaines</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_frank-haines.jpg</image:loc><image:title>Klempay_Frank Haines</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_asashadowsmiles-14.jpg</image:loc><image:title>Klempay_asashadowsmiles-14</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_asashadowsmiles-13.jpg</image:loc><image:title>Klempay_asashadowsmiles-13</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_asashadowsmiles-12.jpg</image:loc><image:title>Klempay_asashadowsmiles-12</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/11/klempay_asashadowsmiles-10.jpg</image:loc><image:title>Klempay_asashadowsmiles-10</image:title><image:caption>AS A SHADOW SMILES: FRANK HAINES, CHRISTOPHER GARRETT, REUBEN LORCH-MILLER, ROBBIE MCDONALD,Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><lastmod>2013-11-19T15:11:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/call-for-content-4/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web14.jpg</image:loc><image:title>ArtCore-Web(1)</image:title></image:image><lastmod>2013-11-03T21:37:25+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://artcorejournal.net/2013/09/27/installed-abdolreza-aminlari/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/aminlari_klempay_7.jpg</image:loc><image:title>Aminlari_Klempay_7</image:title><image:caption>Abdolreza Aminlari, Walls and Landscapes, Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/aminlari_klempay_6.jpg</image:loc><image:title>Aminlari_Klempay_6</image:title><image:caption>Abdolreza Aminlari, Walls and Landscapes, Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/aminlari_klempay_5.jpg</image:loc><image:title>Aminlari_Klempay_5</image:title><image:caption>Abdolreza Aminlari, Walls and Landscapes, Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/aminlari_klempay_4.jpg</image:loc><image:title>Aminlari_Klempay_4</image:title><image:caption>Abdolreza Aminlari, Walls and Landscapes, Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/aminlari_klempay_3.jpg</image:loc><image:title>Aminlari_Klempay_3</image:title><image:caption>Abdolreza Aminlari, Walls and Landscapes, Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/aminlari_klempay_2.jpg</image:loc><image:title>Aminlari_Klempay_2</image:title><image:caption>Abdolreza Aminlari, Walls and Landscapes, Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/aminlari_klempay_1.jpg</image:loc><image:title>Aminlari_Klempay_1</image:title><image:caption>Abdolreza Aminlari, Walls and Landscapes, Installation view, Jackie Klempay Gallery, Brooklyn, NY, 2013. </image:caption></image:image><lastmod>2013-09-27T12:18:17+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/09/22/installed-paul-bloodgood/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3587.jpg</image:loc><image:title>IMG_3587</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3609.jpg</image:loc><image:title>IMG_3609</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3608.jpg</image:loc><image:title>IMG_3608</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3607.jpg</image:loc><image:title>IMG_3607</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3603.jpg</image:loc><image:title>IMG_3603</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3601.jpg</image:loc><image:title>IMG_3601</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3600.jpg</image:loc><image:title>IMG_3600</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3599.jpg</image:loc><image:title>IMG_3599</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3598.jpg</image:loc><image:title>IMG_3598</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3595.jpg</image:loc><image:title>IMG_3595</image:title><image:caption>Paul Bloodgood, This Inch of Wholeness, installation view, Pei Ling Chan Gallery, Savannah, GA, 2013. Image courtesy of Todd Schroeder.</image:caption></image:image><lastmod>2013-09-23T01:51:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/04/installed-b-wurtz-at-metro-pictures/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8184.jpg</image:loc><image:title>IMG_8184</image:title><image:caption>B. Wurtz at Metro Pictures Mar. 21 - Apr. 27, 2013. Images Courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8182.jpg</image:loc><image:title>IMG_8182</image:title><image:caption>B. Wurtz at Metro Pictures Mar. 21 - Apr. 27, 2013. Images Courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8181.jpg</image:loc><image:title>IMG_8181</image:title><image:caption>B. Wurtz at Metro Pictures Mar. 21 - Apr. 27, 2013. Images Courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8180.jpg</image:loc><image:title>IMG_8180</image:title><image:caption>B. Wurtz at Metro Pictures Mar. 21 - Apr. 27, 2013. Images Courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8179.jpg</image:loc><image:title>IMG_8179</image:title><image:caption>B. Wurtz at Metro Pictures Mar. 21 - Apr. 27, 2013. Images Courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8178.jpg</image:loc><image:title>IMG_8178</image:title><image:caption>B. Wurtz at Metro Pictures Mar. 21 - Apr. 27, 2013. Images Courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8177.jpg</image:loc><image:title>IMG_8177</image:title><image:caption>B. Wurtz at Metro Pictures Mar. 21 - Apr. 27, 2013. Images Courtesy of Kalin Allen</image:caption></image:image><lastmod>2013-09-14T14:22:12+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/04/installed-canan-tolon-at-von-lintel-gallery-nyc/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8147.jpg</image:loc><image:title>IMG_8147</image:title><image:caption>Canan Tolon at Von Lintel Gallery. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8145.jpg</image:loc><image:title>IMG_8145</image:title><image:caption>Canan Tolon at Von Lintel Gallery. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8143.jpg</image:loc><image:title>IMG_8143</image:title><image:caption>Canan Tolon at Von Lintel Gallery. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8142.jpg</image:loc><image:title>IMG_8142</image:title><image:caption>Canan Tolon at Von Lintel Gallery. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8141.jpg</image:loc><image:title>IMG_8141</image:title><image:caption>Canan Tolon at Von Lintel Gallery. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8140.jpg</image:loc><image:title>IMG_8140</image:title><image:caption>Canan Tolon at Von Lintel Gallery. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8138.jpg</image:loc><image:title>IMG_8138</image:title><image:caption>Canan Tolon at Von Lintel Gallery. Image courtesy of Kalin Allen</image:caption></image:image><lastmod>2013-09-14T14:21:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/04/installed-barry-mcgee-at-icaboston/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8220.jpg</image:loc><image:title>IMG_8220</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8251.jpg</image:loc><image:title>IMG_8251</image:title><image:caption>Barry Mcgee at ICA/Boston. Apr. 16-Sept. 2, 2013. Image courtesy Gregory Eltringham</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8249.jpg</image:loc><image:title>IMG_8249</image:title><image:caption>Barry Mcgee at ICA/Boston. Apr. 16-Sept. 2, 2013. Image courtesy Gregory Eltringham</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8225.jpg</image:loc><image:title>IMG_8225</image:title><image:caption>Barry Mcgee at ICA/Boston. Apr. 16-Sept. 2, 2013. Image courtesy Gregory Eltringham</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8254.jpg</image:loc><image:title>IMG_8254</image:title><image:caption>Barry Mcgee at ICA/Boston. Apr. 16-Sept. 2, 2013. Image courtesy Gregory Eltringham</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8255.jpg</image:loc><image:title>IMG_8255</image:title><image:caption>Barry Mcgee at ICA/Boston. Apr. 16-Sept. 2, 2013. Image courtesy Gregory Eltringham</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_8222.jpg</image:loc><image:title>IMG_8222</image:title><image:caption>Barry Mcgee at ICA/Boston. Apr. 16-Sept. 2, 2013. Image courtesy Gregory Eltringham</image:caption></image:image><lastmod>2013-09-14T14:21:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/05/installed-spring-group-show-featuring-angela-burson-at-leedy-voulkos-art-center-kansas-city-mo/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-22-03.jpg</image:loc><image:title>2013-05-03 19.22.03</image:title><image:caption>Spring Group Show Featuring Angela Burson at Leedy-Voulkos Art Center, Kansas City, MO. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-20-58.jpg</image:loc><image:title>2013-05-03 19.20.58</image:title><image:caption>Spring Group Show Featuring Angela Burson at Leedy-Voulkos Art Center, Kansas City, MO. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-20-50.jpg</image:loc><image:title>2013-05-03 19.20.50</image:title><image:caption>Spring Group Show Featuring Angela Burson at Leedy-Voulkos Art Center, Kansas City, MO. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-20-40.jpg</image:loc><image:title>2013-05-03 19.20.40</image:title><image:caption>Spring Group Show Featuring Angela Burson at Leedy-Voulkos Art Center, Kansas City, MO. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-20-22.jpg</image:loc><image:title>2013-05-03 19.20.22</image:title><image:caption>Spring Group Show Featuring Angela Burson at Leedy-Voulkos Art Center, Kansas City, MO. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-20-07.jpg</image:loc><image:title>2013-05-03 19.20.07</image:title><image:caption>Spring Group Show Featuring Angela Burson at Leedy-Voulkos Art Center, Kansas City, MO. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><lastmod>2013-09-14T14:20:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/07/installed-justin-beachler-at-dolphin/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-36-14.jpg</image:loc><image:title>2013-05-03 19.36.14</image:title><image:caption>Justin Beachler, installation view of "Primary Ptructures," Dolphin, Kansas City, MO. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-36-04.jpg</image:loc><image:title>2013-05-03 19.36.04</image:title><image:caption>Justin Beachler, installation view of "Primary Ptructures," Dolphin, Kansas City, MO. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-36-00.jpg</image:loc><image:title>2013-05-03 19.36.00</image:title><image:caption>Justin Beachler, installation view of "Primary Ptructures," Dolphin, Kansas City, MO. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-35-25.jpg</image:loc><image:title>2013-05-03 19.35.25</image:title><image:caption>Justin Beachler, installation view of "Primary Ptructures," Dolphin, Kansas City, MO. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-35-31.jpg</image:loc><image:title>2013-05-03 19.35.31</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-35-13.jpg</image:loc><image:title>2013-05-03 19.35.13</image:title><image:caption>Justin Beacler, installation view of "Primary Ptructures," Dolphin, Kansas City, MO. Image courtesy of Erin Dziedzic</image:caption></image:image><lastmod>2013-09-14T14:19:59+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/08/installed-anne-lindberg-at-dolphin/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/2013-05-03-19-35-03.jpg</image:loc><image:title>2013-05-03 19.35.03</image:title><image:caption>Anne Lindberg, "shift," 2013, thread and staples, 9' x 26' x 3'. Image courtesy of Erin Dziedzic</image:caption></image:image><lastmod>2013-09-14T14:19:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/13/installed-atlanta-contemporary-art-center-atlanta-ga/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/shara_hughes_4.jpg</image:loc><image:title>Shara_Hughes_4</image:title><image:caption>Credit: Shara Hughes: Don't Tell Anyone But..., 2013, Atlanta Contemporary Art Center, Atlanta, GA, installation view. Image courtesy of Shantay Robinson</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/shara_hughes_2.jpg</image:loc><image:title>Shara_Hughes_2</image:title><image:caption>Credit: Shara Hughes: Don't Tell Anyone But..., 2013, Atlanta Contemporary Art Center, Atlanta, GA, installation view. Image courtesy of Shantay Robinson</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/shara_hughes_3.jpg</image:loc><image:title>Shara_Hughes_3</image:title><image:caption>Credit: Shara Hughes: Don't Tell Anyone But..., 2013, Atlanta Contemporary Art Center, Atlanta, GA, installation view. Image courtesy of Shantey Robinson</image:caption></image:image><lastmod>2013-09-14T14:18:52+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/13/installed-atlanta-contemporary-art-center-atlanta-ga-2/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/pack_huswit_1.jpg</image:loc><image:title>Pack_Huswit_1</image:title><image:caption>Credit: Jon Pack &amp; Gary Hustwit: The Olympic City, 2013, Atlanta Contemporary Art Center, Atlanta, GA, installation view. Image courtesy of Shantay Robinson</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/pack_huswit_2.jpg</image:loc><image:title>Pack_Huswit_2</image:title><image:caption>Credit: Jon Pack &amp; Gary Hustwit: The Olympic City, 2013, Atlanta Contemporary Art Center, Atlanta, GA, installation view. Image courtesy of Shantay Robinson</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/pack_huswit_3.jpg</image:loc><image:title>Pack_Huswit_3</image:title><image:caption>Credit: Jon Pack &amp; Gary Hustwit: The Olympic City, 2013, Atlanta Contemporary Art Center, Atlanta, GA, installation view. Image courtesy of Shantay Robinson</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/pack_huswit_4.jpg</image:loc><image:title>Pack_Huswit_4</image:title><image:caption>Credit: Jon Pack &amp; Gary Hustwit: The Olympic City, 2013, Atlanta Contemporary Art Center, Atlanta, GA, installation view. Image courtesy of Shantay Robinson</image:caption></image:image><lastmod>2013-09-14T14:17:45+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/13/installed-chelsea-during-frieze-weekend/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2741.jpg</image:loc><image:title>IMG_2741</image:title><image:caption>Amanda Ross-Ho: Gone Tomorrow, installation view at Mitchell-Innes &amp; Nash, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2742.jpg</image:loc><image:title>IMG_2742</image:title><image:caption>Amanda Ross-Ho: Gone Tomorrow, installation view at Mitchell-Innes &amp; Nash, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2743.jpg</image:loc><image:title>IMG_2743</image:title><image:caption>Amanda Ross-Ho: Gone Tomorrow, installation view at Mitchell-Innes &amp; Nash, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2744.jpg</image:loc><image:title>IMG_2744</image:title><image:caption>Amanda Ross-Ho: Gone Tomorrow, installation view at Mitchell-Innes &amp; Nash, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2745.jpg</image:loc><image:title>IMG_2745</image:title><image:caption>Amanda Ross-Ho: Gone Tomorrow, installation view at Mitchell-Innes &amp; Nash, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2746.jpg</image:loc><image:title>IMG_2746</image:title><image:caption>Amanda Ross-Ho: Gone Tomorrow, installation view at Mitchell-Innes &amp; Nash, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2747.jpg</image:loc><image:title>IMG_2747</image:title><image:caption>Amanda Ross-Ho: Gone Tomorrow, installation view at Mitchell-Innes &amp; Nash, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2738.jpg</image:loc><image:title>IMG_2738</image:title><image:caption>El Anatsui, High Line, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2737.jpg</image:loc><image:title>IMG_2737</image:title><image:caption>Richard Serra: Early Works, installation view at David Zwirner, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2735.jpg</image:loc><image:title>IMG_2735</image:title><image:caption>Richard Serra: Early Works, installation view at David Zwirner, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><lastmod>2013-09-14T14:16:54+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/14/installed-ana-mendieta-late-works-1981-85/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2763.jpg</image:loc><image:title>IMG_2763</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2760.jpg</image:loc><image:title>IMG_2760</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2758.jpg</image:loc><image:title>IMG_2758</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2756.jpg</image:loc><image:title>IMG_2756</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2755.jpg</image:loc><image:title>IMG_2755</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2754.jpg</image:loc><image:title>IMG_2754</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2753.jpg</image:loc><image:title>IMG_2753</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2752.jpg</image:loc><image:title>IMG_2752</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2751.jpg</image:loc><image:title>IMG_2751</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2749.jpg</image:loc><image:title>IMG_2749</image:title><image:caption>Ana Mendieta: Late Works 1981-85, installation view at Galerie Lelong, NY. Image courtesy of Erin Dziedzic</image:caption></image:image><lastmod>2013-09-14T14:16:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/23/installed-barry-anderson/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2870.jpg</image:loc><image:title>IMG_2870</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2862.jpg</image:loc><image:title>IMG_2862</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2864.jpg</image:loc><image:title>IMG_2864</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2865.jpg</image:loc><image:title>IMG_2865</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2868.jpg</image:loc><image:title>IMG_2868</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2867.jpg</image:loc><image:title>IMG_2867</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2872.jpg</image:loc><image:title>IMG_2872</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2873.jpg</image:loc><image:title>IMG_2873</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/img_2875.jpg</image:loc><image:title>IMG_2875</image:title><image:caption>Barry Anderson, The Janus Restraint THE ASCENSION, The Studios Inc., Kansas City, MO, installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><lastmod>2013-09-14T14:15:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/06/11/installed-amanda-friedman-and-laura-hunt-at-spare-room-projects/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7106.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7100.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7066.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7059.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7056.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7055.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7050.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7049.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7047.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/ap-af-lh-7046.jpg</image:loc><image:title>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:title><image:caption>Amanda Friedman and Laura Hunt, THE ALFRED JENSEN PAINTING AT BELLEVUE HOSPITAL, Spare Room Projects, Brooklyn, NY. Installation view. Image courtesy of Jackie Klempay</image:caption></image:image><lastmod>2013-09-14T14:14:32+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/06/24/benjamin-jones-lydia-walls-linda-hall-joseph-kurhajec-at-barbara-archer-gallery-atlanta-ga/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/lydia-walls.jpg</image:loc><image:title>Lydia Walls</image:title><image:caption>Lydia Walls, installation view of “4 X 4,” Barbara Archer Gallery, Atlanta, GA. Image courtesy of Shantay Robinson</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/linda-hall.jpg</image:loc><image:title>Linda Hall</image:title><image:caption>Linda Hall, installation view of “4 x 4,” Barbara Archer Gallery, Atlanta, GA. Image courtesy of Shantay Robinson</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/joseph-kurhajec.jpg</image:loc><image:title>Joseph Kurhajec</image:title><image:caption>Joseph Kurhajec, installation view of “4 X4,” Barbara Archer Gallery, Atlanta, GA. Image courtesy of Shantay Robinson </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/benjamin-jones.jpg</image:loc><image:title>Benjamin Jones</image:title><image:caption>Benjamin Jones, installation view of “4 X4,” Barbara Archer Gallery, Atlanta, GA, Image courtesy of Shantay Robinson</image:caption></image:image><lastmod>2013-09-14T14:13:49+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/06/26/installed-proximities-what-time-is-it-there-at-the-asian-art-museum-san-francisco/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/photo.jpg</image:loc><image:title>photo</image:title><image:caption>Proximities: What Time Is It There,? gallery entrance Asian Art Museum. Image by Monica Shinn</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/photo-7.jpg</image:loc><image:title>photo-7</image:title><image:caption>Andrew Witrak, Trouble in Paradise #2, 2013, paper umbrellas, Styrofoam. Image by Monica Shinn</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/photo-6.jpg</image:loc><image:title>photo-6</image:title><image:caption>Ala Ebtekar, Paradise, 2011, archival pigment print on canvas. Image by Monica Shinn</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/photo-5.jpg</image:loc><image:title>photo-5</image:title><image:caption>Lisa K. Blatt, Untitled (Shanghai Ads), single channel video. Image by Monica Shinn</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/photo-4.jpg</image:loc><image:title>photo-4</image:title><image:caption>Lisa K. Blatt, People's Park, Shanghai, China, 2007, photo on aluminum. Image by Monica Shinn</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/photo-3.jpg</image:loc><image:title>photo-3</image:title><image:caption>Larry Sultan, Antioch Creek, 2008, Chromogenic print. Image by Monica Shinn</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/06/photo-1.jpg</image:loc><image:title>photo-1</image:title><image:caption>Ala Ebtekar, The Shape of Things to Come, 2012, acrylic on archival pigment print on found paper. 
Image by Monica Shinn
</image:caption></image:image><lastmod>2013-09-14T14:13:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/07/31/installed-travis-boyer-and-hayden-dunham-at-jackie-klempay/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/tboyer1.png</image:loc><image:title>Tboyer1</image:title><image:caption>Travis Boyer in Surprise Inspection at Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/tboyer.png</image:loc><image:title>Tboyer</image:title><image:caption>Travis Boyer in Surprise Inspection at Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/t-boyer.png</image:loc><image:title>T.Boyer</image:title><image:caption>Travis Boyer in Surprise Inspection at Jackie Klempay, Brooklyn, NY. Image courtesy of Jackie Klempay.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/klempay-july-15.jpg</image:loc><image:title>klempay-july-15</image:title><image:caption>Travis Boyer and Hayden Dunham, installation view at Jackie Klempay, </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/klempay-july-14-copy.jpg</image:loc><image:title>klempay-july-14 copy</image:title><image:caption>Travis Boyer and Hayden Dunham, installation view at Jackie Klempay, </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/klempay-july-13-copy.jpg</image:loc><image:title>klempay-july-13 copy</image:title><image:caption>Travis Boyer and Hayden Dunham, installation view at Jackie Klempay, </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/klempay-july-12.jpg</image:loc><image:title>klempay-july-12</image:title><image:caption>Travis Boyer and Hayden Dunham, installation view at Jackie Klempay, </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/klempay-july-11.jpg</image:loc><image:title>klempay-july-11</image:title><image:caption>Travis Boyer and Hayden Dunham, installation view at Jackie Klempay, </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/klempay-july-10.jpg</image:loc><image:title>klempay-july-10</image:title><image:caption>Travis Boyer and Hayden Dunham, installation view at Jackie Klempay, </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/07/klempay-july-9.jpg</image:loc><image:title>klempay-july-9</image:title><image:caption>Travis Boyer and Hayden Dunham, installation view at Jackie Klempay, </image:caption></image:image><lastmod>2013-09-14T14:12:09+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/08/04/installed-robert-irwin/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1749.jpg</image:loc><image:title>IMG_1749</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1739.jpg</image:loc><image:title>IMG_1739</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1740.jpg</image:loc><image:title>IMG_1740</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1751.jpg</image:loc><image:title>IMG_1751</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1736.jpg</image:loc><image:title>IMG_1736</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1737.jpg</image:loc><image:title>IMG_1737</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1738.jpg</image:loc><image:title>IMG_1738</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1742.jpg</image:loc><image:title>IMG_1742</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/img_1744.jpg</image:loc><image:title>IMG_1744</image:title><image:caption>Image courtesy of William Ruller</image:caption></image:image><lastmod>2013-09-14T14:11:15+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/09/14/installed-gulsun-karamustafa/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3875.jpg</image:loc><image:title>IMG_3875</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3873.jpg</image:loc><image:title>IMG_3873</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3872.jpg</image:loc><image:title>IMG_3872</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3866.jpg</image:loc><image:title>IMG_3866</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3865.jpg</image:loc><image:title>IMG_3865</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3855.jpg</image:loc><image:title>IMG_3855</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3852.jpg</image:loc><image:title>IMG_3852</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3850.jpg</image:loc><image:title>IMG_3850</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3840.jpg</image:loc><image:title>IMG_3840</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/img_3843.jpg</image:loc><image:title>IMG_3843</image:title><image:caption>Gülsün Karamustafa, A PROMISED EXHIBITION installation view, 2013–2014, SALT Beyoğlu and SALT Galata, İstanbul Türkiye. Image courtesy of Greg Eltringham.</image:caption></image:image><lastmod>2013-12-20T01:13:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/blog/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/cropped-artcore-web1.jpg</image:loc><image:title>cropped-artcore-web1.jpg</image:title></image:image><lastmod>2013-09-12T12:38:38+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://artcorejournal.net/2013/09/12/installed-anish-kapoor/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-bosphorus-view.jpg</image:loc><image:title>anish bosphorus view</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-3rd-floor-these-were-blue.jpg</image:loc><image:title>anish 3rd floor these were blue</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-3rd-floor-gallery.jpg</image:loc><image:title>anish 3rd floor gallery</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-2nd-gallery.jpg</image:loc><image:title>anish 2nd gallery</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-2nd-floor-more.jpg</image:loc><image:title>anish 2nd floor more</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-2nd-floor-9.jpg</image:loc><image:title>anish 2nd floor 9</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-2nd-floor-8.jpg</image:loc><image:title>anish 2nd floor 8</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-2nd-floor-6.jpg</image:loc><image:title>anish 2nd floor 6</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-2nd-floor-5.jpg</image:loc><image:title>anish 2nd floor 5</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/09/anish-2nd-floor-4.jpg</image:loc><image:title>anish 2nd floor 4</image:title><image:caption>Anish Kapoor in Istanbul, Sabancı University Sakıp Sabancı Museum, 2013. Image courtesy of Greg Eltringham.</image:caption></image:image><lastmod>2013-09-12T12:04:20+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/08/29/truth-or-dare-with-spam-contemporarys-stefan-a-wengen/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/spam-logo-can4_300.png</image:loc><image:title>SPAM-Logo-CAN4_300</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/08/stefan_spam.jpg</image:loc><image:title>stefan_SPAM</image:title><image:caption>Stefan à Wengen, Co-Director of SPAM Contemporary, Düsseldorf. Image by Gregory Eltringham.</image:caption></image:image><lastmod>2013-08-29T12:30:02+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/editors-letter-biennial/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/cropped-artcore-web12.jpg</image:loc><image:title>cropped-artcore-web12.jpg</image:title></image:image><lastmod>2013-07-22T01:38:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/reflexivity-curating-current-conditions-and-the-effects-yet-to-be-seen-by-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/tcc_cover_final.jpg</image:loc><image:title>TCC_cover_final</image:title><image:caption>Image courtesy of Independent Curators International</image:caption></image:image><lastmod>2013-07-22T01:18:33+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/notes-on-a-biennial-by-eva-gonzalez-sancho/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/lofoten-landscape.jpg</image:loc><image:title>lofoten-landscape</image:title></image:image><lastmod>2013-07-22T01:17:48+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/crazycurators-biennale-by-katarina-slaninova/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/ccb-ii_eddie-hara.jpg</image:loc><image:title>CCB II_EddiE haRA</image:title><image:caption>EddiE haRA (Realisation: Peter Barényi), Happy Victims, 2006-2008, drawing photocopy, slide projection, INDONESIA, Curated by Enin Supriyanto. Image courtesy of the author.
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/ccb-iii_mira-gaberova.jpg</image:loc><image:title>CRAZY CURATORS BIENNALE III</image:title><image:caption>Mira Gáberová (in cooperation with Peter Barényi, Jana Kapelová, Lenka Klimešová, Martina Slováková, Ivan Svoboda, Mária Štefančíková), Sometimes I want to be everything, sometimes I want to be nothing, video installation, 2010
SLOVAKIA, curated by Katarína Slaninová. Image courtesy of the author.
</image:caption></image:image><lastmod>2013-07-22T01:17:06+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/the-overlooked-are-the-devises-of-activity-enactment-in-jesse-aron-greens-arztliche-zimmergymnastik-by-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/jagreenaz-la-install4.jpg</image:loc><image:title>AZ_INFO2.indd</image:title><image:caption>Jesse Aron Green, The Future of My Nervous Illness (after FGT), 2008, Installation at the New Wight Gallery, Los Angeles, CA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/jagreenaz-tate-install2.jpg</image:loc><image:title>jagreenaz-tate-install2</image:title><image:caption>Jesse Aron Green, Ärztliche Zimmergymnastik, 2008, Oil Tanks at Tate Modern to coincide with the Frieze Art Fair.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/overlooked_diagram.jpg</image:loc><image:title>Overlooked_diagram</image:title><image:caption>Erin Dziedzic, Overlooked Diagram, 2012.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/jagreenaz-video-still2.jpg</image:loc><image:title>jagreenaz-video-still2</image:title><image:caption>Jesse Aron Green, Ärztliche Zimmergymnastik, still, 2008, HD Video Installation, 80 min loop.</image:caption></image:image><lastmod>2013-07-22T01:16:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/beyond-the-biennials-thierry-alet-as-international-artist-and-impresario-by-una-kariim-a-cross/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/thierry-alet_2-blue.jpg</image:loc><image:title>Thierry ALET_2 blue</image:title><image:caption>Thierry Alet. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/thierry-alet.jpg</image:loc><image:title>Thierry ALET</image:title><image:caption>Thierry Alet. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/alet_painting_as-a-child-many-seeds.jpg</image:loc><image:title>Alet_Painting_As A Child Many Seeds</image:title><image:caption>Thierry Alet, As a Child Many Seeds, 2011. Image courtesy of the artist.</image:caption></image:image><lastmod>2013-07-22T01:15:18+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/its-confusion-guided-by-a-clear-sense-of-purpose-works-by-daniel-arsham-by-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/mg__9015.jpg</image:loc><image:title>_MG__9015</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/the_explorer.jpg</image:loc><image:title>The_Explorer</image:title><image:caption>View of the exhibition Daniel Arsham STORM, Galerie Perrotin, Paris, 3 November - 22 December 2012 
“The Explorer”, 2012
Verre brisé, résine / Glass, resin
170 x 53 x 43 cm / 67 x 21 x 17 inches
Photo : Guillaume Ziccarelli
Courtesy Galerie Perrotin, Hong Kong &amp; Paris
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/arsham_hiding_figure.jpg</image:loc><image:title>Arsham_Hiding_Figure</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/sideways_clock.jpg</image:loc><image:title>Sideways_Clock</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/square_out_of_the_moon.jpg</image:loc><image:title>Square_out_of_the_moon</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/11.jpg</image:loc><image:title>-11</image:title><image:caption>Daniel Arsham, Monolith (Green), 2007, Gouache sur papier calque, encadrement / Gouache on mylar, frame
107 x 85,5 x 4 cm / 42 1/4 x 33 3/4 x 1 1/2 inches. Courtesy Galerie Perrotin, Hong Kong &amp; Paris
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/1.jpg</image:loc><image:title>-1</image:title><image:caption>Daniel Arsham, Smoke (black), 2007. Courtesy Galerie Perrotin, Hong Kong &amp; Paris</image:caption></image:image><lastmod>2013-07-22T01:14:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/24/yeondoo-jung/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/gwangju-biennale5.gif</image:loc><image:title>Gwangju-Biennale5</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/gwangju-biennale3.gif</image:loc><image:title>Gwangju-Biennale3</image:title><image:caption>Yeondoo Jung, Gwangju Biennale, Borame Dance Hall, 2002, Installation, Photo images heat transferred on wall papers, 56 images patterned, size varies to the space. Courtesy of the artist. 
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/miss-sparkles-sprinkles-magic.gif</image:loc><image:title>Miss-sparkles-Sprinkles-Magic</image:title><image:caption>Yeondoo Jung, 2004, Liverpool Biennale, Wonderland, c-print, print size variable. Courtesy of the artist.
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/miss-sparkles-sprinkles-magic-drawing.gif</image:loc><image:title>Miss-sparkles-Sprinkles-Magic-Drawing</image:title><image:caption>Wonderland, drawing, 2004</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/x2g0029.jpg</image:loc><image:title>_X2G0029</image:title><image:caption>Yeondoo Jung, Perfoma09, Cinemagician, Projection Size Varies, Projection and Performance, Duration 51 minutes</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/cinemagician-newyork4.gif</image:loc><image:title>CineMagician-NewYork4</image:title><image:caption>Yeondoo Jung, Perfoma09, Cinemagician, Projection Size Varies, Projection and Performance, Duration 51 minutes</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/cinemagician-newyork-1.gif</image:loc><image:title>CineMagician-NewYork-1</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/cinemagician-newyork.jpg</image:loc><image:title>CineMagician-NewYork</image:title><image:caption>Yeondoo Jung, Perfoma09, Cinemagician, Projection Size Varies, Projection and Performance, Duration 51 minutes
</image:caption></image:image><lastmod>2013-07-22T01:13:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/five-more-questions-with-arika-with-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/ultra_red.jpg</image:loc><image:title>Ultra_Red</image:title><image:caption>Ultra-red, Five Protocols for the Sound of Freedom, with members of the House|Ballroom community, Whitney Biennial 2012. Image courtesy of Bryony McIntyre</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/ultra-red.jpg</image:loc><image:title>Ultra-red</image:title><image:caption>Christopher DeLaurenti, Wallingford Food Bank, Whitney Biennial 2012. Image courtesy of Bryony McIntyre</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/geyer.jpg</image:loc><image:title>Geyer</image:title><image:caption>Andrea Geyer, Comrades of Time, Whitney Biennial 2012. Image courtesy of Bryony McIntyre.</image:caption></image:image><lastmod>2013-07-22T01:12:55+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/in-conversation-with-kevin-jerome-everson-by-craig-drennen/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/everson_the-island-of-st-matthew_70min-_2013.gif</image:loc><image:title>Everson_The-Island-of-St-Matthew_70min-_2013</image:title><image:caption>Kevin Jerome Everson, The Island of St Matthew, 2013, still, 70min. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/everson_quality-control_still_70min_2011.gif</image:loc><image:title>Everson_Quality-Control_still_70min_2011</image:title><image:caption>Kevin Jerome Everson, Quality Control, 2011, still, 70min. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/everson_emergency-needs_still_7min_2007.gif</image:loc><image:title>Everson_Emergency-Needs_still_7min_2007</image:title><image:caption>Kevin Jerome Everson, Emergency Needs, 2007, still, 7min. Image courtesy of the artist.</image:caption></image:image><lastmod>2013-07-22T01:12:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/art-circuit-the-biennial-complex-as-dynamic-chronotopic-system-by-jason-hoelscher/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/biennial-system-diagram-2.jpg</image:loc><image:title>Biennial System Diagram - 2</image:title><image:caption>Jason Hoelscher, Dynamic Biennial Dialogic/Chronotopic Network Diagram, 2012, 6x6 inches. Courtesy of the artist.</image:caption></image:image><lastmod>2013-07-22T01:11:13+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/by-gregory-eltringham/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/karlsrue-structure.gif</image:loc><image:title>karlsrue-structure</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/metzger.jpg</image:loc><image:title>metzger</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/lori-waxman-prefab-house.gif</image:loc><image:title>Lori-Waxman-prefab-house</image:title><image:caption>Lori Wasman, 60 wrd/min art critic, ongoing project, dOCUMENTA (13), Karlsaue Park</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/reading-letters-in-the-frideriecum.gif</image:loc><image:title>reading-letters-in-the-frideriecum</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/01/rupert-on-his-way-to-documenta.gif</image:loc><image:title>rupert-on-his-way-to-documenta</image:title><image:caption>The path to dOCUMENTA, Image courtesy of Gregory Eltringham</image:caption></image:image><lastmod>2013-07-22T01:09:08+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/01/23/about-this-issue-biennial/</loc><lastmod>2013-07-22T01:05:14+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/discussion-forum/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web110.jpg</image:loc><image:title>ArtCore-Web(1)</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/cropped-artcore-web11.jpg</image:loc><image:title>cropped-artcore-web11.jpg</image:title></image:image><lastmod>2013-07-21T21:18:01+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://artcorejournal.net/contact-2/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web13.jpg</image:loc><image:title>ArtCore-Web(1)</image:title></image:image><lastmod>2013-07-21T19:55:46+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://artcorejournal.net/2012/06/15/270/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/1-cvijanovic-2011-sailor.jpg</image:loc><image:title>SONY DSC</image:title><image:caption>Adam Cvijanovic, Sailor, 2011. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/2010-nebula.jpg</image:loc><image:title>SAMSUNG DIGITAL CAMERA</image:title><image:caption>Adam Cvijanovic, Stardust, 2010. Image courtesy of the artist.</image:caption></image:image><lastmod>2013-07-18T02:20:37+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/mary-beth-edelson-selections-from-the-story-gathering-boxes-1972-ongoing-by-paul-bloodgood/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/chiffons-18.jpg</image:loc><image:title>Chiffons-18</image:title><image:caption>Mary Beth Edelson, Story Gathering Box: Race Cards, Nicole Klagsbrun Gallery, organized by Momenta NY, 1994. Each participant is asked to make a card depicting a race other than their own. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/sc05da6d1a01.jpg</image:loc><image:title>sc05da6d1a01</image:title><image:caption>Mary Beth Edelson, Giving Myself a 5 Year Retrospective, AIR Gallery, 1975, 3 story gathering boxes with large wall drawings, Inward/Outward, Blood Mysteries, and Sexual Fantasies. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/travelingexhbeds-12.jpg</image:loc><image:title>TravelingExh&amp;Beds-12</image:title><image:caption>Mary Beth Edelson, installation image of Re-scripting the Story, San Antonio, TX, 2002. Left: Some Living American Women Artists/ Last Supper, 1972. Far Left: installation collage wall. Far back wall: The Sacred Manic Goddess Makes Tracks, 1978, series of 3 photographs 20" x 20", Port Cyde, Maine. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/zh9storycopy.jpg</image:loc><image:title>ZH9Storycopy</image:title><image:caption>Mary Beth Edelson, It's Time for Action, participant writing in story boxes, Migros Museum, Zurich, 2006. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/77-paper-tablet-woman-is.jpg</image:loc><image:title>77. Paper Tablet-Woman Is</image:title><image:caption>Mary Beth Edelson, Story Gathering Card, Raincoat, from Malmo, Sweden, 2002.</image:caption></image:image><lastmod>2013-07-18T02:18:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/05/06/truth-or-dare-with-steve-locke/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/in-place-of-the-sun.jpg</image:loc><image:title>in place of the sun</image:title><image:caption>Steve Locke, “in place of the sun,” 2009-2013, oil and collage on panel attached to beveled wood panel painted with enamel and acrylic on verso. With stripped pole, connectors and flanges, 32 x 16 x 14 in. Image by Stewart Clements. Courtesy of the artist and SAMSON, Boston</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/in-the-watching-detail.jpg</image:loc><image:title>in the watching detail</image:title><image:caption>Steve Locke, “in the watching,” (detail) 2013, egg tempera and oil on wood, attached to wood base with collage, milk paint, and enamel, beveled and painted on bottom with painted wood legs. With stripped and painted poles, connectors, and flanges. Image by Stewart Clements. Courtesy of the artist and SAMSON, Boston</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/in-the-watching.jpg</image:loc><image:title>in the watching</image:title><image:caption>Steve Locke, “in the watching,” 2013, egg tempera and oil on wood, attached to wood base with collage, milk paint, and enamel, beveled and painted on bottom with painted wood legs. With stripped and painted poles, connectors, and flanges. Image by Stewart Clements. Courtesy of the artist and SAMSON, Boston</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/05/youdontdeserveme_installation.jpg</image:loc><image:title>YouDontDeserveMe_Installation</image:title><image:caption>Steve Locke, Installation view of “you don’t deserve me” at SAMSON, Boston. Image by Stewart Clements. Courtesy of the artist and SAMSON, Boston</image:caption></image:image><lastmod>2013-05-06T18:36:43+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/04/08/installed-scott-calhoun-at-spare-room-projects-by-kalin-allen/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/04/scott-calhoun3.jpg</image:loc><image:title>scott calhoun[3]</image:title><image:caption>Scott Calhoun at Spare Room Projects Mar. 23 - Apr. 13, 2013. Image courtesy of Jackie Klempay. </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/04/scott-calhoun2.jpg</image:loc><image:title>scott calhoun[2]</image:title><image:caption>Scott Calhoun at Spare Room Projects Mar. 23 - Apr. 13, 2013. Image courtesy of Jackie Klempay. </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/04/scott-calhoun4.jpg</image:loc><image:title>scott calhoun4]</image:title><image:caption>Scott Calhoun at Spare Room Projects Mar. 23 - Apr. 13, 2013. Image courtesy of Jackie Klempay. </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/04/scott-calhoun-1.jpg</image:loc><image:title>Scott Calhoun 1</image:title><image:caption>Scott Calhoun at Spare Room Projects Mar. 23 - Apr. 13, 2013. Image courtesy of Jackie Klempay. </image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/04/scott-calhoun.jpg</image:loc><image:title>Scott Calhoun</image:title><image:caption>Scott Calhoun at Spare Room Projects Mar. 23 - Apr. 13, 2013. Image courtesy of Jackie Klempay. </image:caption></image:image><lastmod>2013-04-30T17:20:46+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/02/26/truth-or-dare-with-trenton-doyle-hancock/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/hancock_this-is-the-way_2012_jcg5777_large.jpg</image:loc><image:title>HANCOCK_This is The Way_2012_JCG5777_large</image:title><image:caption>Trenton Doyle Hancock, This is the Way, 2012, acrylic and mixed media on canvas
12 x 9 x 3/4 in. Copyright the artist. Courtesy James Cohan Gallery, New York and Shanghai.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/hancock_the-shame-game_2012_jcg5778_large.jpg</image:loc><image:title>HANCOCK_The Shame Game_2012_JCG5778_large</image:title><image:caption>Trenton Doyle Hancock, The Shame Game, 2012, acrylic and mixed media on canvas, 12 x 9 x 3/4 in. Copyright the artist. Courtesy James Cohan Gallery, New York and Shanghai.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/hancock_as_u_now_enliven_a_test5.jpg</image:loc><image:title>HANCOCK_As_U_Now_Enliven_A_Test5</image:title><image:caption>Trenton Doyle Hancock, As U Now Enliven A Test..., 2012, acrylic and mixed media on canvas, 24 x 24 inches.</image:caption></image:image><lastmod>2013-04-18T20:25:11+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/03/28/installed-greensboro-nc-by-melissa-messina/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2808.jpg</image:loc><image:title>DSCN2808</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2805.jpg</image:loc><image:title>DSCN2805</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2804.jpg</image:loc><image:title>DSCN2804</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2801.jpg</image:loc><image:title>DSCN2801</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2800.jpg</image:loc><image:title>DSCN2800</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2799.jpg</image:loc><image:title>DSCN2799</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2797.jpg</image:loc><image:title>DSCN2797</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2796.jpg</image:loc><image:title>DSCN2796</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2795.jpg</image:loc><image:title>DSCN2795</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/dscn2794.jpg</image:loc><image:title>DSCN2794</image:title><image:caption>Go Elsewhere Museum, Greensboro, NC. Image courtesy of Melissa Messina</image:caption></image:image><lastmod>2013-03-28T14:42:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/03/20/installed-kansas-city-by-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2408.jpg</image:loc><image:title>IMG_2408</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2406.jpg</image:loc><image:title>IMG_2406</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2405.jpg</image:loc><image:title>IMG_2405</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2404.jpg</image:loc><image:title>IMG_2404</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2403.jpg</image:loc><image:title>IMG_2403</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2401.jpg</image:loc><image:title>IMG_2401</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2398.jpg</image:loc><image:title>IMG_2398</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2397.jpg</image:loc><image:title>IMG_2397</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2396.jpg</image:loc><image:title>IMG_2396</image:title><image:caption>The Xijing Men. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2395.jpg</image:loc><image:title>IMG_2395</image:title><image:caption>Anthony Baab, A Strenuous Nonbeing. Installation view. Image courtesy of Erin Dziedzic</image:caption></image:image><lastmod>2013-03-20T19:40:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/03/19/installed-mary-ann-aitken-at-cleopatras-by-kalin-allen/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7819.jpg</image:loc><image:title>IMG_7819</image:title><image:caption>Mary Ann Aitken at Cleopatra's. Mar. 3 - Apr. 14, 2013. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7818.jpg</image:loc><image:title>IMG_7818</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7817.jpg</image:loc><image:title>IMG_7817</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7816.jpg</image:loc><image:title>IMG_7816</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7815.jpg</image:loc><image:title>IMG_7815</image:title><image:caption>Mary Ann Aitken at Cleopatra's. Mar. 3 - Apr. 14, 2013. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7814.jpg</image:loc><image:title>IMG_7814</image:title><image:caption>Mary Ann Aitken at Cleopatra's. Mar. 3 - Apr. 14, 2013. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7813.jpg</image:loc><image:title>IMG_7813</image:title><image:caption>Mary Ann Aitken at Cleopatra's. Mar. 3 - Apr. 14, 2013. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_7811.jpg</image:loc><image:title>IMG_7811</image:title><image:caption>Mary Ann Aitken at Cleopatra's. Mar. 3 - Apr. 14, 2013. Image courtesy of Kalin Allen</image:caption></image:image><lastmod>2013-03-19T23:15:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/03/12/installed-armory-week-2013-exhibition-highlights-by-erin-dziedzic/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2282.jpg</image:loc><image:title>IMG_2282</image:title><image:caption>Ragnar Kjartansson, The Visitors, 2013, installation view, Lugring Augustine, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2281.jpg</image:loc><image:title>IMG_2281</image:title><image:caption>Ragnar Kjartansson, The Visitors, 2013, installation view, Lugring Augustine, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2280.jpg</image:loc><image:title>IMG_2280</image:title><image:caption>Ragnar Kjartansson, The Visitors, 2013, installation view, Lugring Augustine, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2279.jpg</image:loc><image:title>IMG_2279</image:title><image:caption>Ragnar Kjartansson, The Visitors, 2013, installation view, Lugring Augustine, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2315.jpg</image:loc><image:title>IMG_2315</image:title><image:caption>Titus Kaphar, The Vesper Project, 2013, installation view, Friedman Benda, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2314.jpg</image:loc><image:title>IMG_2314</image:title><image:caption>Titus Kaphar, The Vesper Project, 2013, installation view, Friedman Benda, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2313.jpg</image:loc><image:title>IMG_2313</image:title><image:caption>Titus Kaphar, The Vesper Project, 2013, installation view, Friedman Benda, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2312.jpg</image:loc><image:title>IMG_2312</image:title><image:caption>Titus Kaphar, The Vesper Project, 2013, installation view, Friedman Benda, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2311.jpg</image:loc><image:title>IMG_2311</image:title><image:caption>Titus Kaphar, The Vesper Project, 2013, installation view, Friedman Benda, NY</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/03/img_2310.jpg</image:loc><image:title>IMG_2310</image:title><image:caption>Titus Kaphar, The Vesper Project, 2013, installation view, Friedman Benda, NY</image:caption></image:image><lastmod>2013-03-12T17:38:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/02/23/installed-new-york-by-kalin-allen/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7344.jpg</image:loc><image:title>IMG_7344</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7335.jpg</image:loc><image:title>IMG_7335</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7334.jpg</image:loc><image:title>IMG_7334</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7330.jpg</image:loc><image:title>IMG_7330</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7325.jpg</image:loc><image:title>IMG_7325</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7324.jpg</image:loc><image:title>IMG_7324</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7289.jpg</image:loc><image:title>IMG_7289</image:title><image:caption>Nayland Blake at
Matthew Marks Gallery  2/2/13 - 4/20/13. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7288.jpg</image:loc><image:title>IMG_7288</image:title><image:caption>Nayland Blake at
Matthew Marks Gallery  2/2/13 - 4/20/13. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7287.jpg</image:loc><image:title>IMG_7287</image:title><image:caption>Nayland Blake at
Matthew Marks Gallery  2/2/13 - 4/20/13. Image courtesy of Kalin Allen</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_7286.jpg</image:loc><image:title>IMG_7286</image:title><image:caption>Nayland Blake at
Matthew Marks Gallery  2/2/13 - 4/20/13. Image courtesy of Kalin Allen</image:caption></image:image><lastmod>2013-02-26T13:55:38+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/02/13/installed-d-c-by-rana-edgar/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/8bertoia.jpg</image:loc><image:title>8bertoia</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/7cave.jpg</image:loc><image:title>7cave</image:title><image:caption>Nick Cave, Soundsuite, 2009. Image courtesy of Rana Edgar.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/6njp2.jpg</image:loc><image:title>6njp2</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/5njp1.jpg</image:loc><image:title>5njp1</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/4coyne.jpg</image:loc><image:title>4coyne</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/3benglis.jpg</image:loc><image:title>3benglis</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/2c_booker2.jpg</image:loc><image:title>2C_Booker2</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/1c_booker1.jpg</image:loc><image:title>1C_Booker1</image:title></image:image><lastmod>2013-02-14T00:30:05+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/02/08/artcore-in-new-york-january-2013-by-william-ruller/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_0687.jpg</image:loc><image:title>IMG_0687</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_0665.jpg</image:loc><image:title>IMG_0665</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_0664.jpg</image:loc><image:title>IMG_0664</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_0645.jpg</image:loc><image:title>IMG_0645</image:title><image:caption>
Arlene Shechet, Arturo Herrera, Kay Rosen, Tony Feher
Group Exhibition
Jan. 31 - Mar. 2, 2013. Installation image. Image courtesy of William Ruller
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/mitchell-innes-and-nash_low.jpg</image:loc><image:title>Mitchell-Innes and Nash_LOW</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/mitchell-innes-and-nash_low2.jpg</image:loc><image:title>Mitchell-Innes and Nash_Low2</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/blackwell_edthorpe_low.jpg</image:loc><image:title>Blackwell_EdThorpe_LOW</image:title><image:caption>Group Show: Paintings, Drawing, and Sculpture at lEdward Thorp Galery . Installation view, </image:caption></image:image><lastmod>2013-02-13T21:10:47+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2013/02/13/local-flavor-new-york-by-kalin-allen/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6837.jpg</image:loc><image:title>IMG_6837</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6836.jpg</image:loc><image:title>IMG_6836</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6835.jpg</image:loc><image:title>IMG_6835</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6832.jpg</image:loc><image:title>IMG_6832</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6830.jpg</image:loc><image:title>IMG_6830</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6829.jpg</image:loc><image:title>IMG_6829</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6827.jpg</image:loc><image:title>IMG_6827</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6825.jpg</image:loc><image:title>IMG_6825</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6811.jpg</image:loc><image:title>IMG_6811</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2013/02/img_6810.jpg</image:loc><image:title>IMG_6810</image:title></image:image><lastmod>2013-02-13T21:05:35+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/past-issues/</loc><lastmod>2013-02-07T00:43:13+00:00</lastmod><changefreq>weekly</changefreq><priority>0.6</priority></url><url><loc>https://artcorejournal.net/2012/06/15/hello-world/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/middlesea-2008-2.jpg</image:loc><image:title>Middlesea, 2008 2</image:title><image:caption>Zineb Sedira, MiddleSea, 2008, video-projection, sound, film super 16 mm,16/9, 16 min., Vues de l’exposition “Shipwreck : The Death of a Journey”, kamel mennour, Paris. © Zineb Sedira Photo Marc Domage. Courtesy the artist and kamel mennour, Paris&#13;
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web18.jpg</image:loc><image:title>ArtCore-Web(1)</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web17.jpg</image:loc><image:title>ArtCore-Web(1)</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web15.jpg</image:loc><image:title>ArtCore-Web(1)</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore-web11-e1328154263374.jpg</image:loc><image:title>ArtCore-Web(1) Grey</image:title></image:image><lastmod>2013-01-24T03:44:21+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/323/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/mary-koszmary_2_1st-part-trilogy.jpg</image:loc><image:title>Mary Koszmary_2_1st part trilogy</image:title><image:caption>Yael Bartana, Mary Koszmary, 2007, 16 mm film transferred to DVD, Color/Sound, duration 10'50". Produced with support from Hermès and Foksal Gallery Foundation, Warsaw. Courtesy Annet Gelink Gallery, Amsterdam</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/currents-of-time18.jpg</image:loc><image:title>currents of time18</image:title><image:caption>Zineb Sedira, Floating Coffins, 2009, 14 LCD screens with electric cables and 8 round speakers, 8 minutes each, various sizes screens. Commissioned by New Art Exchange, Nottingham, UK. Installation view: Rivington Place, London&#13;
Photos by George Torode</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/middlesea-2008-3.jpg</image:loc><image:title>Middlesea, 2008 3</image:title><image:caption>Zineb Sedira, MiddleSea, 2008, video-projection, sound, film super 16 mm,16/9, 16 min, Vues de l’exposition “Shipwreck : The Death of a Journey”, kamel mennour, Paris © Zineb Sedira Photo Marc Domage. Courtesy the artist and kamel mennour, Paris
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/zsedira-mother-tongue-3.jpg</image:loc><image:title>ZSedira - Mother Tongue 3</image:title><image:caption>Zineb Sedira, Mother Tongue, 2002, C – Grandmother and Granddaughter (Algeria), video-projections on screens, 5 min (each. video) © Zineb Sedira. Courtesy the artist and kamel mennour, Paris
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/zineb-sedira-mother-tongue-2002.jpg</image:loc><image:title>Zineb Sedira - mother tongue - 2002</image:title><image:caption>Zineb Sedira, Mother Tongue, 2002, A - Mother and I (France), B – Daughter and I (England), C – Grandmother and Granddaughter (Algeria), video-projections on screens, 5 min (each. video) © Zineb Sedira. Courtesy the artist and kamel mennour, Paris
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/nw-lm14929-mango-tourist-mass-moca-01-hr.jpg</image:loc><image:title>NW-LM14929 Mango Tourist (MASS MoCA) 01 hr</image:title><image:caption>Nari Ward, Mango Tourist, 2011, foam, battery canisters, Sprague Electric Company resistors and capacitors, mango pits, 8 figures, each approximately 120 inches. Courtesy the artist and Lehmann Maupin Gallery, New York
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/nw-lm14927-nu-colossus-mass-moca-02-hr.jpg</image:loc><image:title>NW-LM14927 Nu Colossus (MASS MoCA) 02 hr</image:title><image:caption>Nari Ward, Nu Colossus, 201, boat, metal, wood, metal chimney, copper drum, furniture, plexiglas and rubber roofing membrane, 720 x 336 x 168 inches (approximately) 1828.8 x 853.4 x 426.7 cm. In collaboration with MassMoCA North Adams, MA. Courtesy the artist and Lehmann Maupin Gallery, New York
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/nw-lm14927-nu-colossus-mass-moca-det03-hr.jpg</image:loc><image:title>NW-LM14927 Nu Colossus (MASS MoCA) det03 hr</image:title><image:caption>Nari Ward, Nu Colossus, 2011, boat, metal, wood, metal chimney, copper drum, furniture, plexiglas and rubber roofing membrane, 720 x 336 x 168 inches (approximately) 1828.8 x 853.4 x 426.7 cm. In collaboration with MassMoCA North Adams, MA. Courtesy the artist and Lehmann Maupin Gallery, New York
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/mur-i-wieza_2nd-part-tilogy.jpg</image:loc><image:title>Mur I Wieza_2nd part tilogy</image:title><image:caption>Yael Bartana, Mur i Wieża, 2009, RED transferred to HD, Color/ Sound, duration 15 min. Courtesy Annet Gelink Gallery, Amsterdam and Sommer Contemporary, Tel Aviv</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/zamach_third-part-trilogy.jpg</image:loc><image:title>Zamach_third part trilogy</image:title><image:caption>Yael Bartana, Zamach, 2011, RED transferred to HD, Color/ sound, duration 35.00 min. The film was commissioned by Artangel, Outset Contemporary Art Fund, Louisiana Museum of Modern Art, The Netherlands Foundation for Visual Arts, The Netherlands Filmfunds, Zachta National Gallery of Art.</image:caption></image:image><lastmod>2013-01-24T03:31:26+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/148/</loc><lastmod>2013-01-24T03:25:56+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/william-cordova-at-the-mills-gallery-at-the-boston-center-for-the-arts-by-steve-locke/</loc><lastmod>2013-01-24T03:25:04+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/bippity-boppity-boo-a-review-of-maurizio-cattelan-all-at-the-guggenheim-by-whitney-dail/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/img_01991.jpg</image:loc><image:title>IMG_0199</image:title><image:caption>Maurizio Cattelan: All, installation view at The Solomon R. Guggenheim Museum, NY, Nov. 4, 2011 - Jan. 22, 2012. Image courtesy of Whitney Dail.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/img_01432.jpg</image:loc><image:title>IMG_0143</image:title><image:caption>Maurizio Cattelan: All, installation view at The Solomon R. Guggenheim Museum, NY, Nov. 4, 2011 - Jan. 22, 2012. Image courtesy of Whitney Dail.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/img_0199.jpg</image:loc><image:title>IMG_0199</image:title><image:caption>Maurizio Cattelan: All, installation view at The Solomon R. Guggenheim Museum, NY, Nov. 4, 2011 - Jan. 22, 2012. Image courtesy of Whitney Dail.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/img_01431.jpg</image:loc><image:title>IMG_0143</image:title><image:caption>Maurizio Cattelan: All, installation view at The Solomon R. Guggenheim Museum, NY, Nov. 4, 2011 - Jan. 22, 2012. Image courtesy of Whitney Dail.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/img_0143.jpg</image:loc><image:title>IMG_0143</image:title><image:caption>Maurizio Cattelan: All, installation view at The Solomon R. Guggenheim Museum, NY, Nov. 4, 2011 - Jan. 22, 2012. Image courtesy of Whitney Dail.</image:caption></image:image><lastmod>2013-01-24T03:24:23+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/an-experiment-in-curatorial-studies-court-square-lic-by-jaime-schwartz/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/3-alyssa-phoebus-rocio.jpg</image:loc><image:title>3. ALYSSA Phoebus Rocio</image:title><image:caption>Installation view: Alyssa Phoebus, Good Woman (2008) and Man Size (2008-09). Photo by Rocio Rodriguez Salceda. Image courtesy Court Square.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/2-alcove-rocio2.jpg</image:loc><image:title>2. ALCOVE Rocio</image:title><image:caption>Installation view: In Visible Ink. Photo by Rocio Rodriguez Salceda. Image courtesy Court Square. </image:caption></image:image><lastmod>2013-01-24T03:23:22+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/vermont-studio-center-johnson-vt-november-20-december-16-2011-by-gregory-eltringham/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/sattelite66wall.jpg</image:loc><image:title>_sattelite66wall</image:title><image:caption>Installation for Something for Everyone at Satellite 66, San Francisco, Mar. 16 - Apr. 7, 2012. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/sf-wall.jpg</image:loc><image:title>_sf wall</image:title><image:caption>Installation for Something for Everyone at Satellite 66 Gallery, San Francisco, Mar. 16 - Apr. 7, 2012. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/narratives.jpg</image:loc><image:title>_narratives</image:title><image:caption>Vermont Studio Center studio. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/portraits.jpg</image:loc><image:title>_portraits</image:title><image:caption>Vermont Studio Center studio. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/vsc-table-and-such.jpg</image:loc><image:title>_vsc table and such</image:title><image:caption>Studio at Vermont Studio Center Residency, November/December 2011. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/big-wall_.jpg</image:loc><image:title>_big wall_</image:title><image:caption>Installation image at Vermont Studio Center, December 2011. Image courtesy of the artist.</image:caption></image:image><lastmod>2013-01-24T03:22:31+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/paolo-piscitelli-by-heather-macrae/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/piscitelli_06.jpg</image:loc><image:title>Piscitelli_06</image:title><image:caption>Paolo Piscitelli, sceneries, (+ an image of the surroundings taken during a field trip in Vermont), 2011, acrylic on paper, four sheets, 11" x 56". Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/piscitelli_05.jpg</image:loc><image:title>Piscitelli_05</image:title><image:caption>Paolo Piscitelli, sceneries, (+ an image of the surroundings taken during a field trip in Vermont), 2011, acrylic, paper, 11" x 29". Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/piscitelli_04.jpg</image:loc><image:title>Piscitelli_04</image:title><image:caption>Paolo Piscitelli, The Broken Places (detail), + an image of the surroundings taken during a field trip, 2011. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/piscitelli_01.jpg</image:loc><image:title>Piscitelli_01</image:title><image:caption>Paolo Piscitelli, anagram (sophya), 2011, acrylic, paper, found object. 86.5" x 66" x 24". Anagram of a female model from a life drawing session (body-scape). Image courtesy of the artist.&#13;
</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/piscitelli_02.jpg</image:loc><image:title>Piscitelli_02</image:title><image:caption>Paolo Piscitelli, anagram (sophya), + an image of the window of my studio at Vermont Studio Center, 2011.This work was installed in the artist's studio at VSC. Image courtesy of the artist. &#13;
</image:caption></image:image><lastmod>2013-01-24T03:21:50+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/if-you-lived-here-you-would-be-home-right-now-by-honor-bowman/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/honor-bowman_twoinstallationviews_paintingsandyards_dimensionsvariable1.jpg</image:loc><image:title>Honor Bowman_TwoInstallationViews_PaintingsandYards_DimensionsVariable</image:title><image:caption>Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/honor-bowman_twoinstallationviews_paintingsandyards_dimensionsvariable.jpg</image:loc><image:title>Honor Bowman_TwoInstallationViews_PaintingsandYards_DimensionsVariable</image:title><image:caption>Image courtesy of the artist.</image:caption></image:image><lastmod>2013-01-24T03:21:10+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/apemantus-and-awful-by-craig-drennen/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/awfulinside_9_25_20111.jpg</image:loc><image:title>AwfulInside_9_25_2011</image:title><image:caption>Craig Drennen, from The Mezzanine exhibition at Ramapo College, NJ, 2012. Image courtesy of the artist and Jennifer Dudley.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/awfulinsidesaltworks11.jpg</image:loc><image:title>AwfulInsideSaltworks1</image:title><image:caption>Craig Drennen, Awful Inside Saltworks, performance at Saltworks gallery, Atlanta GA, 2 hours, 1/14/12. Image courtesy of Saltworks , Atlanta, GA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/awful_flux91.jpg</image:loc><image:title>Awful_FLUX9</image:title><image:caption>Craig Drennen, 1-Hour Awful (For Apemantus), performance at FLUX 2011, Atlanta, GA, 2 hours 46 minutes, 9/30/11. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/socrates_awfuloutside12.jpg</image:loc><image:title>Socrates_AwfulOutside1</image:title><image:caption>Craig Drennen, Awful Outside, performance at Socrates Sculpture Park, NYC, 2 hours, 9/25/11. Image courtesy of Christopher Carroll</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/awfulinside_9_25_2011.jpg</image:loc><image:title>AwfulInside_9_25_2011</image:title><image:caption>Craig Drennen, fromThe Mezzanine exhibition. Image courtesy of the artist and Jennifer Dudley.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/awfulinsidesaltworks1.jpg</image:loc><image:title>AwfulInsideSaltworks1</image:title><image:caption>Craig Drennen, Awful Inside Saltworks, performance at Saltworks gallery, Atlanta GA, 2 hours, 1/14/12. Image courtesy of Saltworks , Atlanta, GA.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/awful_flux9.jpg</image:loc><image:title>Awful_FLUX9</image:title><image:caption>Craig Drennen, 1-Hour Awful (For Apemantus), performance at FLUX 2011, Atlanta, GA, 2 hours 46 minutes, 9/30/11. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/socrates_awfuloutside11.jpg</image:loc><image:title>Socrates_AwfulOutside1</image:title><image:caption>Craig Drennen, Awful Outside, performance at Socrates Sculpture Park, NYC, 2 hours, 9/25/11. Image courtesy of Christopher Carroll</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/socrates_awfuloutside1.jpg</image:loc><image:title>Socrates_AwfulOutside1</image:title></image:image><lastmod>2013-01-24T03:20:30+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/joanna-m-wezyk-by-rana-edgar/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/royal-bed-chambers-015.jpg</image:loc><image:title>royal bed chambers 015</image:title><image:caption>Joanna M. Wezyk, Royal Chamber, 2009. Image courtesy of the artist.</image:caption></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/05/royal-bed-chambers-007.jpg</image:loc><image:title>royal bed chambers 007</image:title><image:caption>Joanna M. Wezyk, Chateaux de Azay le Rideau, 2009. Image courtesy of the artist.</image:caption></image:image><lastmod>2013-01-24T03:19:24+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/five-questions-with-arika/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/06/arika.jpeg</image:loc><image:title>ARIKA</image:title><image:caption>Ultra-red are shown at ARIKA's "A survey is a process of listening" programming at the 2012 Whitney Biennial, working with members of the House|Ballroom scene as part of their "What is the Sound of Freedom?" project. Photo by Bryony McIntyre. Image courtesy of ARIKA</image:caption></image:image><lastmod>2013-01-24T03:15:00+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/06/15/loft-on-spring-street-and-into-the-obscure-by-zach-chambers/</loc><lastmod>2013-01-24T03:12:39+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net/2012/01/22/volume-1-issue-1-northeast/</loc><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/03/artcore1_155x155pixels.jpg</image:loc><image:title>artcore1_155x155pixels.jpg</image:title></image:image><image:image><image:loc>https://artcorejournal.net/wp-content/uploads/2012/02/artcore1_155x155pixels.jpg</image:loc><image:title>artcore1_155x155pixels.jpg</image:title></image:image><lastmod>2013-01-23T01:19:51+00:00</lastmod><changefreq>monthly</changefreq></url><url><loc>https://artcorejournal.net</loc><changefreq>daily</changefreq><priority>1.0</priority><lastmod>2015-11-08T14:50:13+00:00</lastmod></url></urlset>
